[pure-silver] Re: Fixing time for fiber

  • From: titrisol <titrisol@xxxxxxxxx>
  • To: pure-silver@xxxxxxxxxxxxx
  • Date: Fri, 10 Aug 2007 00:33:55 -0700 (PDT)

Could there be sulfinding in the hypo-clear?
Are you replacing the water in the "waiting" bath every so
often?
I know sometimes fixer smells like sulfide, and that could casue
some yellowing, but also sulfite can convert into sulfide?

--- Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote:

> 
> ----- Original Message ----- 
> From: "Eric Nelson" <emanmb@xxxxxxxxx>
> To: <pure-silver@xxxxxxxxxxxxx>
> Sent: Thursday, August 09, 2007 9:06 PM
> Subject: [pure-silver] Re: Fixing time for fiber
> 
> 
> > Eric,
> > Are you talking about stop bath that is too weak to
> > acidify the print, thereby shortening the life or
> > activity of the fixer?  Or just not draining the print
> > long enough before it hits the stop?
> > Eric
> >
> > --- EJ Neilsen <ej@xxxxxxxxxxxxxxxxxxxxxxxxxx> wrote:
> >
> 
>    Stop bath will immediately stop development and 
> inactivate the developer. A 30 second soak will also wash 
> out much of the developer. Standard acid hardening fixing 
> baths are designed to withstand a considerable amount of 
> carried over developer since most of them were designed in 
> the 1930s when many photographers did not stop baths. A 
> standard fixing bath like Kodak F-5 or Kodak packaged fixer, 
> is well buffered using and also contains an excess of Sodium 
> Sulfite. The Sulfite serves two purposes: first, it prevents 
> the decomposition of the Thiosulfate by the acid, and 
> secondly, it prevents staining from carried over developer.
>    If the fixing bath is neutral or alkaline its possible 
> for the developer to reactivate in the fixing bath. If there 
> is enough sulfite it may not cause the usual yellow stain 
> but can produce dichroic fog from deposits of metallic 
> silver on the surface of the print. This is caused by the 
> developer reacting with dissolved halide complexes in the 
> fixing bath. A fixer, even if alkaline, would have to be 
> close to exhaustion for this to happen, unless it was made 
> without sulfite or with very little sulfite.
>    From the description of the original problem I do not 
> think it was caused by developer stain. That usually shows 
> up very quickly, sometimes immediately after fixing. More 
> likely it was caused by sulfiding of the image from somthing 
> in the atmosphere. Untoned prints are quite vulnerable to 
> this and to oxidizing. Oxidizing usually is manifested as 
> silvering out, that is, the production of a black stain or 
> even a mirror-like deposit over  high density areas. 
> Sulfiding causes the image to turn brown or yellow. 
> Sometimes the sulfide migrates but usually not.
>    There is a limited amount of protection of the image if a 
> very small amount of Thiosulfate is allowed to remain in the 
> emulsion. The amount is very small, a larger amount causing 
> the usual staining. However, the current Kodak and other 
> recommendations for washing and for the use of a wash aid 
> reflect this fact. If a print or film is washed to the point 
> where there is no thiosulfatge whatever in it toning becomes 
> absolutely necessary to protect the image.
>    Display prints should always be toned to prevent attack 
> by airborne polutants. Effective protective toners include 
> all sulfiding toners, Selenium when it is carried out far 
> enough, and Gold toners. Gold is very effective and results 
> in a cold or neutral image for many papers but is too 
> expensive to be used routinely.
>    Some sulfiding toners can not be used for partial toning 
> because they do not tone the image uniformly. Full toning 
> with any of them results in very permanent images but they 
> will be the usual Sepia color.
>    Stabilizing agents like Agfa Sistan and Fuji Ag-Guard are 
> effective but not as much as a toner. If its absolutely 
> necessary that the image color and density not be changed 
> one of these may be useful. While not as effective as a 
> toner they will nonetheless give significant protection 
> where a print must be displayed or stored under adverse 
> conditions.
> 
> ---
> Richard Knoppow
> Los Angeles, CA, USA
> dickburk@xxxxxxxxxxxxx 
> 
>
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