If you were processing your prints in a way that prevented you from achieving quality images then perhaps the single tray is the approach for you. But I'd hesitate to say that a one tray method will give most quality over quantity. It is also a matter of production. Making prints for your self is quite different than making prints for others. I had one customer tell me I should try my best every time. I told him to look at the price list. I offer three levels of quality; good, better and best. If he wanted my best printing the quality would be there if he choose to order that level of print, but I was not going to give away my time to fine tune his image because I like making prints. Cheers EJ Neilsen Eric Neilsen Photography 4101 Commerce Street Suite 9 Dallas, TX 75226 http://e.neilsen.home.att.net http://ericneilsenphotography.com > -----Original Message----- > From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver- > bounce@xxxxxxxxxxxxx] On Behalf Of Lloyd Erlick > Sent: Saturday, July 30, 2005 8:02 AM > To: pure-silver@xxxxxxxxxxxxx > Subject: [pure-silver] Re: After sinks, your favourite tongs? > > At 02:33 PM 7/28/2005 , Eric Neilsen wrote: > > >Lloyd, I use a single tray method for platinum printing most of the time, > >but I find it impractical for silver printing. It works well for platinum > >because there is so much time between exposures. > > But with silver, it > >restricts your ability to process more than one print at a time. > > > If I had > >tremendous space considerations, I might consider using a single tray. > > > > July 30, 2005, from Lloyd Erlick, > > I guess photography is all about point of view! > > One of my explicit decisions about how I was going to change the way I > worked in my darkroom was that I wanted to process one print at a time > (quality over quantity). I like to finagle all the details one by one on > test prints, then make final prints one by one with my full attention on > each detail. > > It's a funny thing, I'm not given to anxiety or inappropriate tension in > day to day life, but a holding tray full of half-finished prints, or a > stack of 16x20s in a tray of selenium toner (which I am required to > shuffle...) just fills me with angst. I suppose it's the perfectionist in > me; I just know at least one of those prints will get a ding somehow, so > it's Russian roulette with my beautiful prints ... > > regards, > --le ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.