Manfredi, Albert E wrote:
Mark Schubin wrote:It is also possible to change the color-separation system. There have been three techniques for this: rotating color filters (used in the old CBS-color system, the Colorgraphics system, and the Apollo mission camera), stacked sensors allowing higher-energy colors to pass through the layers intended for lower-energy colors (the Foveon sensor used in Sigma cameras), and on-chip color filtering -- stripes (Abtography, the Panavision Genesis, old inexpensive color video cameras) or on a pixel basis (Bayer, diagonal, or the lower-ratio systems used in some of Sony's Clear-Vid systems). The color filters are most popular: stripes in the Panavision Genesis and Bayer in the ARRI D20, the Dalsa Evolution and Origin, the EasyLook Modula HD, the NAC Memrecam fx K4, the Red One, the Silicon Optics SI-2K, SI-2K Mini, and SI-1920, the Vision Research Phantom HD and Phantom 65, the Weinberger Cine Speedcam, the Weisscam HS-1, and many smaller-format cameras as well as cameras not intended for TV use.Is color filtering on an individual pixel basis, the last option you describe, what is used by digital still cameras?
Yes.
From a fixed-focal-length image-quality standpoint, perhaps, but that's a tiny fraction of what a video lens must do. It needs to maintain focus, for example, over its entire zoom range (which, today, even in smallish lenses, tends to be around 20:1 and can go as high as 101:1 before the use of built-in extenders).I believe it is, and would seem to be the most compatible way to make use of 35mm/APS lenses for video.
TTFN, Mark
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