"...stacked sensors allowing higher-energy colors to pass through the layers intended for lower-energy colors (the Foveon sensor used in Sigma cameras)..." -Mark Schubin Regarding using film lenses with electronic sensors, as a point of reference, keep in mind that film uses stacked layers with each layer reacting to specific wavelengths and allowing higher energy wavelengths through to the next emulsion layer. The thickness of these emulsion layers and the difference in depths are considered in the design of a superior quality lens. Films with thicker emulsion layers responded differently because of it. This is one of the reasons why this sensor was developed. It might be something to consider when using a film lens with a Bayer sensor where all the sensors are on the same plane, although probably not important since the circle of confusion of a good film lens at the Bayer sensor's plane will likely still be small enough to keep within the "pixel's" area. Plus, post-processing, there is lower resolution in the chroma signal. Which brings up another point, there can be too much resolution so that there are artifacts generated if the lens is too sharp. Wide angle fixed lenses would be of the most concern where the circle of confusion might actually be sub-sensor sized. But the averaging across multiple sensors that is used on a Bayer imager might help prevent some of these artifacts. Dan Grimes