Jeroen, How do you explain the use of fluorescent lighting in video production, as represented by Kineflo and Videssence? Both use tubes with phosphors that emit very narrow bands of red, green, and blue light, but are tuned to the wavelengths of the camera's diachroic splitters. The camera "sees" the same RGB as it would with any other light source. Remember that light is additive. A "yellow" object is really an object that absorbs blue, and reflects red and green, making it appear to our eyes and the camera as "yellow." If you could not reproduce a yellow object with only red, green, and blue lighting, then you could not reproduce it with a camera that only "sees" red, green, and blue. John Shutt ----- Original Message ----- From: <jeroen.stessen@xxxxxxxxxxx> > But for lighting a scene for the purpose of filming it with a > camera we have to worry about the spectrum of this LED lighting. > The lighting MUST have a wide and fairly flat spectrum, or else > the colour reproduction will be wrong. So you can not use R+G+B > LEDs, with their narrow spectra, because for example a pure > yellow object would become black... You would have to use white > LEDs then. As white as an incandescent lamp, or as the sun. ---------------------------------------------------------------------- You can UNSUBSCRIBE from the OpenDTV list in two ways: - Using the UNSUBSCRIBE command in your user configuration settings at FreeLists.org - By sending a message to: opendtv-request@xxxxxxxxxxxxx with the word unsubscribe in the subject line.