http://www.nytimes.com/2004/11/25/technology/circuits/25stat.html?th=&adxnnl=1&oref=login&adxnnlx=1101398008-uBgg0FNWjvybJx1QjbgNwA November 25, 2004 STATE OF THE ART Camcorders Finally Find Hard Drives By DAVID POGUE AS technophiles sit down for Thanksgiving dinner, one thing they can be grateful for is the passing of the magnetic-tape era. The days of storing computer data, music collections and Hollywood movies on spools of tape will soon be completely gone. Sure, tape served its place-holding purpose in technology's march toward hard drives, CD's and DVD's. But when you consider the man-years lost to the Stone Age practice of rewinding and fast-forwarding, tape seems about as modern as Pilgrim hats. So why do people tolerate tape cassettes in the last holdout, camcorders? Tapes bring the party to a crashing stop while you try to find a certain scene, they're easily damaged and their recordings begin to deteriorate in as little as 15 years. Some recent camcorders record onto miniature DVD's. But the discs are expensive and hard to find. Each holds only 30 minutes apiece of best-quality video. And you can't play them outside of the camcorder until you've "finalized" them - an agonizing 10- or 20-minute burning process. A few other tapeless camcorders can record straight to a memory card, but only 10 minutes per card. (May all your soccer games, weddings and school plays be really, really short.) No, the real future of camcorders suggests itself every time you see somebody wearing those white iPod earbuds. Earth to electronics companies: Hard drives! A 60-gigabyte iPod's hard drive can store 15 hours of video, and it's only 1.8 inches in diameter. Now go build one into a camcorder! JVC is the first company to see that particular light. Next month, it will release its new Everio GZ-MC100 and GZ-MC200: a pair of breathtakingly small, tape-free camcorders. (They're identical except that you hold the MC100 vertically, and the MC200 horizontally. More on this in a moment.) Both models store gorgeous video - technically speaking, MPEG2 files in DVD format and quality - directly onto a tiny hard drive. Better yet, they record onto removable hard drives. These camcorders accept standard MicroDrives, which look just like the Compact Flash memory cards in many digital cameras but actually contain hard drives. A four-gigabyte MicroDrive comes in the box and holds one hour of best-quality video. Another four-gigabyte card will set you back about $200. Of course, you can also buy smaller, less expensive MicroDrives. And in a pinch, an Everio can even record onto regular Compact Flash or SD memory cards (yes, it has two card slots). Of course, $200 for a hard drive is a tad pricier than the $4 you would pay for a MiniDV tape. Nobody outside of Michael Dell's tax bracket will be amassing a drawer full of these things. JVC has two answers to that. First of all, there's quite a bit of value in what the hard drive brings you: all the joys of random access. For example, you can jump from scene to scene without any rewinding, fast-forwarding or guesswork, either by tapping the microscopic four-way joystick or with the assistance of the Everio's "table of contents" thumbnail screen. You can't splice or reassemble videos right on the camcorder, but you easily delete unwanted scenes, instantly freeing up disk space for more video. That's powerful stuff. It means that you can delete muffed video shots exactly the way you delete bad still shots from a digital camera. You feel no pressure when you're waiting for a child, an animal or a geyser to do its thing; you just roll camera repeatedly and then, later, delete the "takes" where nothing happened. By the time you're finished, you have a one-hour hard drive containing only terrific shots - the rough equivalent of four one-hour videotapes that desperately cry out to be edited. Hard-drive recording also gives you the confidence that you'll never record over something by accident, a feature JVC ought to call Marriage Saver. JVC's more thought-provoking answer to the "$200 a pop?!" objection is that you're not meant to amass a drawer full of them, as you would ordinary tapes. The company expects that you'll use your little hard drive over and over again. The company's logic - which won't appeal to everybody - is that these days, the first thing many people do with their video is transfer it. They may connect the camcorder to a VCR or even a television-top DVD recorder to make copies for themselves or friends. They may also transfer the video to a computer for editing and DVD-burning. To that end, each Everio comes with a U.S.B. 2.0 cable and some basic Windows editing and DVD-burning software. This part is not JVC's shining moment. For one thing, it seems incredible that anyone would market an advanced digital camcorder that's incompatible with the Macintosh, one of the most popular computers for video editing. Even if you have Windows, you're expected to copy the video files to your PC's hard drive manually for editing. Just follow these simple steps: First, connect the camcorder to the PC. Open My Computer, double-click on the icon called Removable Disk, open the SD-VIDO folder (not the DCIM, DCVC or EXMOV folders) and then open the PRG001 folder. Inside, ignore the PRG001.PG1 and MOVODE.MOI files and instead copy the files with names like MOV00E.MOD and MOV017.MOD to your PC's hard drive, where you can then open them using the JVC editing software. Memo to JVC: This isn't how you make your camcorder popular with people who never made it to M.I.T. There are other problems, too. Both units take too long to turn on, about 8 seconds. Both take pretty good two-megapixel still pictures as long as they're still lifes; motion shots are blurry. (Sample photos are at nytimes.com/circuits.) Neither model is good at zooming and focusing simultaneously. And the manuals for both camcorders warn you that the MicroDrive may become so hot, the camcorder stops working. (I never saw this problem, possibly because the 65-minute rechargeable battery doesn't last long enough to build up that kind of heat.) The vertically oriented MC100 (1.6 by 4.1 by 2.8 inches) is smaller than the MC200 (2.9 by 2.2 by 3.7 inches), but there may be such a thing as too small. Assuming you have four fingers and one thumb, it's practically impossible to hold this thing without covering up the lens or the flash. Worse, all of the camcorder's controls are on a thin back panel facing you, meaning that you have to operate the 10X zoom lever with your thumb. The MC200 is larger and more cubelike, but at least you get to hold it like a traditional camcorder, fingers wrapped around the top. You can therefore operate the zoom control with your index finger, which turns out to have much finer control than your thumb. The MC200's jacks, controls and compartments provide easier access, and this model is much easier to hold steady, too. (Both Everios have fairly weak image-stabilizing circuitry.) Better yet, the MC200's body pivots, so that you can tilt the lens portion up or down without changing your hand position. That's a hugely addictive feature - and a necessary one, considering that neither camcorder has an eyepiece viewfinder (only a small 1.8-inch L.C.D. screen). These advantages drive the MC200's price up by $100 - it goes for $1,140 at Amazon.com, for example, compared with $1,045 for the MC100 - but yield a much less fussy design. In eliminating tape, JVC lets you trade one set of frustrations for another. You gain excellent video quality, the exhilarating freedom of random access and a camcorder that's so small, it slips easily into a coat pocket. But your choice of editing software is much more limited (and nonexistent on the Macintosh), and you must now get into the habit of offloading each day's shooting onto some other disk or tape so that you can reuse the hard drive. No matter how you judge this new set of compromises, history suggests that tape in camcorders will eventually die away, just as it has in other recording devices. JVC's innovative hard-drive camcorders are two of the earliest and most persuasive nails in its coffin. E-mail: Pogue@xxxxxxxxxxx Copyright 2004 The New York Times Company ---------------------------------------------------------------------- You can UNSUBSCRIBE from the OpenDTV list in two ways: - Using the UNSUBSCRIBE command in your user configuration settings at FreeLists.org - By sending a message to: opendtv-request@xxxxxxxxxxxxx with the word unsubscribe in the subject line.