[opendtv] Re: 20040921 Twang's Tuesday Tribune (Mark's Monday Memo)
- From: "John Willkie" <johnwillkie@xxxxxxxxxx>
- To: <opendtv@xxxxxxxxxxxxx>
- Date: Tue, 28 Sep 2004 11:46:25 -0700
telecines.
Rule or exception? (Would you like me to start listing films that are
created entirely or entirely (save sfx) on film? I suspect my list just
from, say June 2004 would be longer than the list of ALL films done on
digital since day one.
John Willkie
-----Original Message-----
From: opendtv-bounce@xxxxxxxxxxxxx
[mailto:opendtv-bounce@xxxxxxxxxxxxx]On Behalf Of John Golitsis
Sent: Tuesday, September 28, 2004 9:45 AM
To: opendtv@xxxxxxxxxxxxx
Subject: [opendtv] Re: 20040921 Twang's Tuesday Tribune (Mark's Monday
Memo)
What film projectors was L.A. Law playing on?
"Sidewalks of New York" was shot entirely with digital camcorders. How
about
The Blair Witch Project? There are many more...lots of independent films.
----- Original Message -----
From: "John Willkie" <johnwillkie@xxxxxxxxxx>
To: <opendtv@xxxxxxxxxxxxx>
Sent: Tuesday, September 28, 2004 12:35 PM
Subject: [opendtv] Re: 20040921 Twang's Tuesday Tribune (Mark's Monday Memo)
>I didn't state that it couldn't be done -- except for film acquisition and
> film distribution offshore, L.A. Law circa 1989 was all digital.
>
> You stated that full digital "films" was the rule. I asked for examples
> outside of the Lucas world (or even a fourth movie) that proved these were
> the rule and not exceptions.
>
> There was another film (I know of no fifth) shot in digital and released
> with prints. "Timecode." It was an inspiration for Fox's "24." Since
the
> first digital star wars episode (does digital help storytelling?) was
> released, perhaps as many as 1000 feature films have been released that
were
> not digitally acquired.
>
> I'll let you know when "films" with prints struck from digital acquisition
> formats becomes the rule. Don't hold your breath -- DCI notwithstanding
(or
> maybe withstanding) it won't be this decade.
>
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