[lit-ideas] Re: another really old poem

  • From: JimKandJulieB@xxxxxxx
  • To: lit-ideas@xxxxxxxxxxxxx
  • Date: Tue, 12 Apr 2005 00:35:32 EDT

Okay, Erin, let me explain this to you.  My whole house looks like a  war 
zone.  It needs a bull-dozer.  But there are two places; my back  bathroom and 
my 
kitchen, which look like a maid lives there.  Flowers,  plants, pristine, you 
could eat off any surface.  The rest of the  house?  Should be condemned.  
Isolated perfection is the most some of  us can hope for.  General mediocrity 
doesn't cut it.  Does that help  your paper?  I can send you photos of the 
Martha Stewart worthy two rooms  and the other trailer-trash rooms.  Actually, 
I 
was trying to make my  living room work today but the TV was 4" too tall for 
the 
entertainment center  space and I can't cut the TV down and I'm looking on 
the internet for carpentry  advice for adjusting shelves to which hinged doors 
are attached.  Have I  mentioned that I would rather be reading Candide than 
sorting ancient books like  "The Modern Woman's Health", written in 1945?  How 
do you get rid of  books?  I will not burn or trash them.  You wouldn't believe 
the  diagrams of a foetus in 1945.   Or what it says about  masturbation.  Or 
sexual responsibility.  Dear God in Heaven.   And then there's the book I 
found on Etiquette, from 1937.  I'm forcing my  children to read the chapter on 
Childrens' table manners.  Why are these  things in my house???  Did I ask them 
here?  Did I call them?   Did I purchase them?  Did they follow me home one 
day, insidiously?   What about the autobiography of Neil Young, which largely 
details his swimming  naked on acid?  Why do I have this?  There's only one 
answer.   Someone broke into my house one day and planted tons of junk, just to 
make me  think I'm crazy.  It's working.  There's even a book on Interior  
Decorating from the 1950's which would scare anyone on this list.  I can  scan 
photos in colour, if requested......(put your sunglasses on).
 
And those are the innocuous things I've been finding.
 
Julie Krueger
finally knowing Fear
 
========Original  Message========     Subj: [lit-ideas] Re: another really 
old poem  Date: 4/11/05 11:17:35 P.M. Central Daylight Time  From: 
_erin.holder@xxxxxxxxxxxx (mailto:erin.holder@xxxxxxxxxxx)   To: 
_lit-ideas@xxxxxxxxxxxxxx 
(mailto:lit-ideas@xxxxxxxxxxxxx)   Sent on:    
I can see my paper now... "The Psychology of  System Writing"

Erin
TO
----- Original Message -----  
From: JimKandJulieB@xxxxxxx 
To: lit-ideas@xxxxxxxxxxxxx  
Sent: Tuesday, April 12, 2005 12:14 AM
Subject: [lit-ideas]  Re: another really old poem


Cuz anal-retentive OCD rebellious  anti-authoritarian types really, really  
hate randomness, unless  it's of their own making.  And then they're  
compelled 
to  fix it.  Just so they have something to create chaos out of   again.  
Don't 
ask.  Just don't ask.

Julie Krueger
alternating between Total Order and Total  Chaos
========Original Message========     Subj:  [lit-ideas] Re: another really 
old 
poem  Date: 4/11/05 9:25:21  P.M. Central Daylight Time  From: 
_erin.holder@xxxxxxxxxxxx  (mailto:erin.holder@xxxxxxxxxxx)   To: 
_lit-ideas@xxxxxxxxxxxxxx  
(mailto:lit-ideas@xxxxxxxxxxxxx)   Sent on:     
Why do things need a common thread?  Are you  sure you're  not from the 19th 
century?
Erin
Toronto
-----  Original Message ----- 
From: JimKandJulieB@xxxxxxx  
To:  lit-ideas@xxxxxxxxxxxxx 
Sent: Monday, April 11,  2005 10:04  PM
Subject: [lit-ideas] Re: another really old  poem


I've wondered myself at what the common thread is that  ties together the   
poetry that compels me.  Usually  it's contemporary, but not  always.   
Usually  
it's edgy, but not always.  What  commonality do Sharon  Olds, Naomi  Shiab 
Nye 
(god, I'd forgotten   about her!), James Wright, Paz, Neruda, Cummings,  
Sexton  
(NOT  Plath!), Eliot, Rilke, Celan have?  Somehow I think  all my  poets  
manage to 
communicate the  spiritual, sometimes entirely abstractly,  and  sometimes 
via  
the entirely quotidian and mundane.   Btw, would anyone  here  consider 
Edmund 
Jabes to be a  poet?  There is  certainly poetry in some of  his books ....   
Levinas?  I do know that I have an aversion to the  Robert   Frostian poets.  
They 
strike me as saccharine and  soft,   pablum.  Does that make me cynical?  
Jaded?  
Simply  ignorant?  Probably all three.   

Julie Krueger
always trying to quantify & organize  and  it doesn't work ....there  ain't 
no 
unified  field  theory.
========Original  Message========   Subj: [lit-ideas] Re: another really 
old poem   Date: 4/11/05  12:50:45 A.M. Central Daylight Time  From: 
_atlas@xxxxxxxxxxxxxx  (mailto:atlas@xxxxxxxxxxxxx)   To:  
_lit-ideas@xxxxxxxxxxxxxx  
(mailto:lit-ideas@xxxxxxxxxxxxx)   Sent on:      
Old poems by a young poet.  Poetry as   documentary.   That's what I'd like 
to 
investigate.   Picking up any   collected work, I'm always intrigued whether  
I'll like the young  passionate  poet (sometimes the young  pretentious 
poet), 
the  ironic middleaged one  (sometimes  the besotted one) or the old, 
crochety,  
dispassionate, wise one  (sometimes the passionate one).  I  wish  I had kept 
better notes.   But in fact, I've kept  none  at all.  I'm guessing that my 
preferences   probably varied  with my own stage of life at the moment.  But 
I  
don't  know  that.  I know that much of the very early  Merwin I dislike -- I 
 

think he was trying to  prove he could write what everyone else was  writing  
at  the time, but then he suddenly went his own way,  nevertheless, his  way  
has continued to change.  How he  writes now is  very different from  pieces 
like Departure's  Girlfriend,  which I posted earlier.  I love  that poem and 
chose it  because the images are so vivid but the theme and its  emotional   
content are not so readily analyzable, you're not exactly  sure   what's 
going 
on.  Even the title itself is more  complex than I  like to  get on an 
average 
day.  I  wish I had the time to  sit down and really go  through his works 
and  
trace the  aesthetic and psychological development in   him  -- but who would 
 
take care of all these air  conditioning problems  if I did  that?  Choices, 
choices, choices.  Err on the side of   comfort, I always  say.  And no 
doubt, 
some day some   dissertation-hungry  English major will pick up the collected 
works of Eric Yost and do just such  a tracing out of his life.   And  
perhaps 
in his research he'll uncover  this post  wherein I  confess to much 
fellow-feeliing and kinship with  these  two  poems.  Remembering how I too 
once would  release bugs back into  the  world where they belonged -- which  
sure as hell wasn't my  world! --   rather than  annihilate them.  They have 
as 
much right to be here  as I  do, after all.  But now, I'm more like  William  
 
Stafford:

Travelling through the dark I  found a  deer
dead on the  edge of the Wilson River  road.
It is usually best to roll them into the  canyon:
the road is  narrow; to swerve might make more dead.

By glow  of  the  tail-light I stumbled back of the car
and stood by the  heap, a  doe, a  recent killing;
she had stiffened already, almost   cold.
I dragged her off;  she was large in the   belly.

My fingers touching her side brought me the  reason  --  
her side was warm; her fawn lay there waiting,
alive,  still,  never to be born.
Beside that mountain road  I  hesitated.

The car aimed  ahead its lowered  parking  lights;
under the hood purred the steady   engine.
I  stood in the glare of the warm exhaust turning  red;
around our   group I coud hear the wilderness  listen.

I thought hard for us all  -- my  only swerving  --
then pushed her over the edge into the  river.
***

And though your soul screams No! in thunder,  there you  are,   always the 
prisonier of choices.  So  Eric  like I, like so many lovers  of life saved 
countless   millipedes for the epicurean delight of shrews,  frogs, lizards, 
bettles and birds.  But our hearts were in the right  place.   I'm  sure of 
that.  Spiders though, I'll kill  without   thinking.

Twenty years ago I used to love to  watch The Young Ones  -- a  BBC comedy 
series if you're not  familiar with it.   Four college guys  living together 
(in England).  A hippy,  a lady's man, an anarchist and  a punk  rocker.  It 
was  quite absurd and hopelessly silly, but I  loved  it wildly.  Nevermind  
that I was 42 years old  then and cracking up like  a  teenager.  I should 
have  
been embarrassed.  Arrested  development  and all  that.  But I wasn't.  I 
chose to  believe that  when  something comes alive in you, it's its own 
justification  -- there's no need  to explain anything.  You just go  with 
it,  
goddamnit.  That's what  poetry can be, I   think.  You can love a poem that 
you know you don't    understand, but still feel it speaking to you at some 
level,   rhythm,  euphony, perhaps only in an image that grabs you by the 
shirt  
front and  shakes you, something there in the  language that  shouts Listen 
up. 
The late   Victorians thought that poetry would  one day replace religion. 
What a  terrible thing that would  be.  There's no claim of truth  in poetry, 
no  grounding, no  ethical/moral prescriptions,  just fascination and wonder 
and   fun and enormous  sorrow.

OK, Sunday's over now.  No  more   sermonizing.  Sorry.
Mike Geary
Memphis


----- Original  Message ----- 
From:  "Eric Yost" <eyost1132@xxxxxxxxxxxxx>
To:   <lit-ideas@xxxxxxxxxxxxx>
Sent: Sunday, April  10, 2005  10:31  PM
Subject: [lit-ideas] another really  old  poem


> One  Idea
>
> No  ideas but in things like ideas;
> no things but  in  ideas of  things.
> The millipede climbing a lemon  peel
> on a  dusty  red carpet is a thing
>  without ideas, but an  idea
> of a thing  gives me the  idea
> to crush  the thing, outlined,
> as it is,  by the  soft white  pulp
> of the lemon peel, outlined  as
> the idea  of  something out of place,
>  its legs flexing, eyelash  thin,  reckoning
> between  yellow rind and white  pulp.
> The idea of the  millipede  touches
> my  idea of myself. I grab lemon peel
>  and  millipede with a  paper towel,
> carry it outside  into a night of   crickets
> and stars. I place them on a  flower bed
>  and go back  inside. My idea was
> to be a person who returned  both things
> to  their  proper place with respect.
> I see the lemon peel next   morning.
> I never understand  the millipede.
>  Has it found a home?  Have I?
>
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