--- Went to see "Bright Young Things" yesterday, and enjoyed it. It's Stephen Fry's frank adaptation of Evelyn Waugh's 1930 novel, _Vile Bodies_ -- as per the famous 'stream of consciousness' by Adam Symes: "Oh, Nina, _what a lot of parties." (... Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, partines where one had to dress as somebody else, almost naked parties in St. John's Wood, parties in flats and studios and houses and ships and hotels and night clubs, in windmills and swimming baths, tea parties at school where one ate muffins and meringues and tinned crab, parties at Oxford where one drank brown sherry and smoked Turkish cigarettes, dull dances in London and comic dances in Scotland and disgusting dances in Paris -- all that succession and repetition of massed humanity ... Those vile bodies." ---- S. Fry has said he was talked into changing the title from 'Vile Bodies' to "Bright Young Things" (the novel Symes wrote) "by people who complained that 'Vile Bodies' sounded like a movie about a morgue." My favourite character in the film, played by brilliant Fenella Wolgar, anyways, dies in a kind of morgue-ish scene, anyway. There are, for what they're worth, a couple of references to exotic places in the original novel, -- not in the film: "Have you heard of your daughter lately?" "The last we heard was worse than anything. She has left Buenos Aires. I am afraid she has severed her connection with Lady Metroland altogether". (p. 27). "At intervals letters arrived from Buenos Aires in which Chastity and Divine Discontent spoke rather critically of Latin American entertainment." (p. 151). For some reason, Fry adapts the novel so that it covers the 1939s and indeed part of the "Phony War" and its aftermath. The soundtrack is worth a note, in its being slightly anachronistic: we hear Noel Coward's recording of "Senorita Nina (from Argentina)" -- which was a 1940 song, along with "Dance, Little Lady" -- referred to a character as a 'latest hit', when it was already 'old' by 1925), the symbolic "Twentieth Century Blues", and, the one put to best dramatic effect, "The Party's Over Now". (The soundtrack also includes period pieces like the wartime classic "Mares Eats Oats"). The cast includes some cameo performances by Sir John Mills (as a cocaine addict), Peter O'Toole, as a stately-home resident, and Imelda Staunton (as the Prime Minister's wife) --. Cheers, JL ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html