Last night I watched The Twilight Samurai. It is a 2002 movie directed by Joji Yamada. It was nominated for an Oscar for best foreign language film and several in the cast were nominated for awards in Japan. It won the award for best film by the Japanese Academy. Knowing all this one might suspect it was probably a good film and it was. It is not the typical Samurai film. Sebei Iguchi was highly trained in an excellent dojo but he doesn't want to fight any more and so denies the training saying he merely watched a few classes. He wants the quiet life of a farmer and is content with being in one of the lowest classes of Samurai, a 50 koro Samurai. He must do piece work to make ends meet. His wife died and he is caring for his two small daughters and his senile mother, but he is happy doing that. He loves working his little farm and watching his daughters grow. Iguchi wasn't able to marry the woman he really loved, Tomoe, because his class wasn't high enough; so she was married off to a 400 Koro Samurai (I might be remembering these numbers and Koro a bit wrong; so I'm fair game for quibblers here). This 400 Koro beat Tomoe and her brother sought and obtained a divorce for her. The brutish 400 Koro Samurai challenges the brother to a duel, but Iguchi steps in to fight in his place. He has been warned by a superior that dueling is prohibited; so he fights the 400 Koro Samurai with a practice stick and beats him soundly. He urges everyone to keep quiet and not tell anyone what happened but word gets around. There is more footage of farm life and Iguchi's simple job but there is a war and one side is defeated. The loser and all his Samurai are sentenced to commit hari kari, but one of them is a rebel, Zenemon Yogo, a top sword, and a top-paid Samurai, I forget how many Koro, maybe 1400. He said that if anyone wants him dead they had better send someone in to kill him. So the village sends in their top sword and Yogo easily kills him; so what can they do. Then someone remembers Sebei Iguchi and they check his history and find that he was actually an instructor at the famous dojo where he claimed only to have watched a few classes. Iguchi tries to refuse the order to go kill Yogo. He says he is out of practice which is true, but he can't get out of it; so he is half convinced he will be killed and orders his affairs much as Marshal Will Kane did in High Noon. The scene where Iguchi enters the darkened house of Zenemon Yogo to fight him is interesting. Yogo is drunk and wants to talk; so Iguchi sits down and they talk. Yogo has a background similar to Iguchis but Yogo is a hot-head and a heavy drinker so he got in a lot of fights and a lot of trouble. Iguchi then opens up about himself and confides that the funeral of his wife broke him financially. He even had to sell his sword. At which Yogo looks down at his sword and says, "you came to kill me with a bamboo sword? You think so little of my skill? You came to insult me? Let's fight!" "No, no," Iguchi says, hoping to get out of this mess without having to fight Yogo. "He tells Yogo he brought his short sword and that one is real." "Ah, you hoped to kill me with a trick? I'm even more insulted." And so they fight. Had Yogo been sober and out in the open he would have killed Iguchi, but after cutting him up a bit, his long sword gets hung up on a ceiling beam and Iguchi stabs him with his short sword and so he wins and becomes a local hero. But the last part, what happens after this victory is narrated by his daughter who we see as Middle Aged. She tells us her father lived for only three more years and was killed by a bullet in a war. Tomoe who had become their mother raised them and saw them well married and she eventually died as well. She says that everyone who knew Iguchi said he was unlucky, but she didn't think so. He loved his farm and his daughters and he eventually got the beautiful Tomoe for his wife. Even though he didn't have a long life, it was a very good one and Iguchi considered himself a lucky man, the daughter tells us from the carriage she leaves the cemetery in. She is obviously a wealthyupper-class lady. A commentator on IMDb said this was a Samurai film Jane Austen would enjoy. I discovered no lessons in this film about Peace but I appreciated Iguchi's love of the simple life. However, I was probably more like the Samurai Iguchi killed than Iguchi himself. Someone accuses me of being confused, sloppy, etc., and I draw my sword and am ready to fight. However, I have no killer-instinct and when an opponent weak and bleeding from several wounds says " but Dispensationalism, Modern or otherwise, is not about Darby's Theology, your original claim," I am almost ready to let him escape with that. However he goes on more provocatively about World War One; so I must stick him one more time - some place where he won't die - some new place for him to bleed just a little. Actually what I wrote wasn't what was claimed. I wrote as an illustration (why do people have so much trouble with my illustrations and leave my main arguments alone?) "Why, some of us might ask, don't the Peace Mystics examine the history of Britain (and the U.S. for that matter) after the Great War to see how their Peace Mysticism worked out? But they don't. They reminded me of Dispensationalists. Dispensationalists are Christians who believe in the theology promulgated by Darby whom they have never heard of because they don't read history. Why read history when the Lord is going to return any day now. I have a book describing all the major times these Darbyites went up to the mountain (so to speak) to wait. And they're still doing it as the Left Behind series testifies. A lot of history has been written describing this phenomenon, but they don't read it. Neither it seems do the Peace Mystics read about the great Peace-Mystic enterprise in Britain after World War One. " What I write here is true. Darbyites are today call Premillennial Dispensationalists. They call themselves that - Dispensationalists for short. And any number of Premillennial Dispensationalists have gone up to the mountain to await the rapture. I've known many of them. This note has gotten somewhat long so I'm going to address Phil Enns criticism of one of my Peace-Mystic World War One notes in another note. Lawrence Helm San Jacinto