[lit-ideas] Re: The Philosophy of Life

  • From: Donal McEvoy <donalmcevoyuk@xxxxxxxxxxx>
  • To: "lit-ideas@xxxxxxxxxxxxx" <lit-ideas@xxxxxxxxxxxxx>
  • Date: Fri, 24 Apr 2015 11:48:45 +0000 (UTC)


Popper  distinguishes three realms (a realm is a 'reich'). Life begins in
his second realm, since the first realm is pure matter.>
No - life emerges (and therefore begins) within W1, which includes the sphere
of biology and living organisms. W2 emerges from this W1 of living organisms.
W2 experience, in Popper's view, can only be had by living creatures [not
computers] - so W2 is life-dependent.

But no - it is not the case that "Life begins in [Popper's] second realm, since
the first realm is pure matter." W1 is not a realm of "pure matter", nor even
the realm of pure physics - as it includes the realms of chemistry and biology.
And both chemistry and biology deal with living "matter" [e.g. "organic
chemistry"].

This JLS must be new to this list, because this, I think, has all been
explained here many, many times before. This JLS must also know very little of
Popper's actual work and of actual science, as he would otherwise know by now
that Popper's work dovetails with actual science and that actual science
dovetails with the view that there is organic life at the biological level and
life at a cellular level where there is no apparent W2 experience.
Unless of course this is the same JLS who frequently mars his posts with
confidently made but false* claims.

Donal*Richard Henninge may feel free to insert an "utterly" here







On Friday, 24 April 2015, 10:28, "dmarc-noreply@xxxxxxxxxxxxx"
<dmarc-noreply@xxxxxxxxxxxxx> wrote:


"Meet Dr. Puddle, our man in the philosophy of life."

sounds obtuse.  It tends to implicate that Dr. Puddle does not know what he
is doing. Usually,  'he is a philosopher' ENTAILS he has some idea of what
'life' is all  about.

Not Popper, perhaps. His (his life, that is) was unended quest.  And 'life'
tends to be an ambiguous noun, referring to some ambiguous concept in  need
of some clear conceptual analysis.

Not Popper would start with 

i. x lives.

This usually entails something like

ii. x is  not dead.

But when 'x' is a 'rolling stone', say, the idea of 'life' just  does not
apply. We don't say a 'stone' is _dead_ -- less so a 'rolling stone',  who
keeps gathering no moss (as Mick Jagger likes to say).

Popper  distinguishes three realms (a realm is a 'reich'). Life begins in
his second  realm, since the first realm is pure matter. Hartmann was, like
Popper, also  concerned with this. But Hartmann was perhaps more cautious.
After all, there is  inorganic chemistry and organic chemistry, and organic
chemistry seems MORE like  life.

Artists studying art (i.e. those artists who will become members  of, say,
the Royal Academy) have to undergo two main courses, 'drawing from the 
antique', and 'drawing from life' (usually naked people). The 'antique' is also 

usually naked people, but in a mimetic form. Thus, Millais, the painter, 
composed a number of sketches at the British Museum, where all the casts of
the  antique were held, of, say, the Belvedere Torso. I think the idea is
that the  antique does not move, while if you draw from life, the 'model', so
called  (usually a badly paid job) will MOVE his or her arm, making the point
of  'drawing' it more difficult (or a 'trick' as Millais would say.

Being  imaginative, when painting stuff that is no longer alive, or is
hardly alive,  the English speak of 'still life', which the Italians express
differently.  Literally, 'dead nature'.

Thus from wiki:

"La natura morta è un tipo di rappresentazione pittorica che consiste  nel
ritrarre oggetti inanimati. Solitamente gli oggetti ritratti sono frutta e 
fiori, ma anche oggetti di vario tipo, come strumenti musicali, pesci ed
altri  animali."

"Dead nature is a type of pictoric representation which consists of 
portraying objects which are inanimated."

Without an 'anima', that is, i.e. not animals.

"Usually, the objects portrayed are fruits or flowers..."

-- which is when the sobriquet, 'dead nature', best applies, since a fruit 
comes from a tree that is alive, and a flower is alive -- but NOT when
painted  by a still-life artist.

"but also objects of various types, like musical instruments, fish, or 
other animals."

I think the author is thinking of Matisse. But surely his fish in a bowl 
are alive, so the phrase has to be understood implicaturally.

The keyword "PHILOSOPHY OF LIFE" perhaps includes the keyword "MEANING OF 
LIFE", and Phatic's query about the implicature by some French philosophers
when  they say that we should stop the quest for the meaning of life.

Phatic is pointing to the ambiguity in the implicature. Stop questing for 
the Meaning of Life, may implicate: "Since there is none", or "since there
is  just not ONE meaning", but meanings.

"Life", however, is not strictly multiguous, but uniguous ("Do not multiply
senses beyond necessity" -- Do not multiply the sense of 'life' beyond 
necessity").

Geary was quoting from Marx withsitting, which reminds me of a phrase that 
Marx would usually utter in German. The rough translation would be, "For
the  life of me", the implicature of which was clear to Marx (but only, one
does not  usually implicate to oneself, only to others).

Cheers,

Speranza


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