In a message dated 1/31/2005 2:25:03 P.M. Eastern Standard Time, pas@xxxxxxxx writes: Having seen this movie over the weekend, I am tempted to say "Alas, this is one of the FEW sparks of the potential for good dialogue in an otherwise WAY OVERBLOWN movie." It's rather fitting that THAT line has sparked a post [by JLS] to lit-ideas. In fact, that was the only exchange in the whole movie that jumped out at me as an "mmm hmm!" [pondering sound with hand on chin] moment in what is a talky film with nothing worth talking about --- Well, yes, thank you. Maia (the actor playing Maia) deserves the Oscar for her performance of that line, "Oh, you mean, 'today'. Without a bit of condescension, as it is said online. Problem is that Miles _doubts_, but that's his character I suppose. He goes, "Mmm. I suppose so." But it's obvious that Maia is failing to see the _implicature_ of the novel. A hymn to pessimism, as it is described online. The 'suicidal title' par excellence, with echoes of a hangover. I'm not sure I agree with Andreas that 'today' is used only for 'sunny days' ('when there is sun'). Surely a novel titled "Today" would not 'trigger' the 'suicidal' implicature that 'The day after yesterday' seems to trigger. Thanks for the comments, Cheers, JL ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html