[lit-ideas] Re: Poetry at the White House

  • From: JimKandJulieB@xxxxxxx
  • To: lit-ideas@xxxxxxxxxxxxx
  • Date: Thu, 22 Sep 2005 12:46:35 EDT

Sharon is a wonderful poet -- I have loved her work for a long time.   Now I 
love her integrity.
 
Julie Krueger

========Original  Message========     Subj: [lit-ideas] Poetry at the White 
House  Date: 9/22/05 11:35:43 A.M. Central Daylight Time  From: 
_andreas@xxxxxxxxxxxx (mailto:andreas@xxxxxxxxxxx)   To: 
_lit-ideas@xxxxxxxxxxxxxx 
(mailto:lit-ideas@xxxxxxxxxxxxx)   Sent on:    
For reasons spelled out below, the poet Sharon  Olds has declined to attend 
the National Book 
Festival in Washington, which,  coincidentally or not, takes place September 
24, the day of 
an antiwar  mobilization in the capital. Olds, winner of a National Book 
Critics Circle  Award 
and professor of creative writing at New York University, was invited  along 
with a number of 
other writers by First Lady Laura Bush to read from  their works. Three years 
ago artist 
Jules Feiffer declined to attend the  festival's White House breakfast as a 
protest against 
the Iraq War ("Mr.  Feiffer Regrets," November 11, 2002). We suggest that 
invitees to this  
year's event consider following their example. --The editors at The  Nation.

---------

Laura Bush
First Lady
The White  House

Dear Mrs. Bush,

I am writing to let you know why I am not  able to accept your kind 
invitation to give a 
presentation at the National  Book Festival on September 24, or to attend 
your dinner at the 
Library of  Congress or the breakfast at the White House.

In one way, it's a very  appealing invitation. The idea of speaking at a 
festival attended by 
85,000  people is inspiring! The possibility of finding new readers is 
exciting for a  poet in 
personal terms, and in terms of the desire that poetry serve its  
constituents--all of us who 
need the pleasure, and the inner and outer news,  it delivers.

And the concept of a community of readers and writers has  long been dear to 
my heart. As a 
professor of creative writing in the  graduate school of a major university, 
I have had the 
chance to be a part of  some magnificent outreach writing workshops in which 
our students 
have  become teachers. Over the years, they have taught in a variety of 
settings: a  women's 
prison, several New York City public high schools, an oncology ward  for 
children. Our 
initial program, at a 900-bed state hospital for the  severely physically 
challenged, has 
been running now for twenty years,  creating along the way lasting 
friendships between young 
MFA candidates and  their students--long-term residents at the hospital who, 
in their humor,  
courage and wisdom, become our teachers.

When you have witnessed  someone nonspeaking and almost nonmoving spell out, 
with a toe, on a 
big  plastic alphabet chart, letter by letter, his new poem, you have 
experienced,  close up, 
the passion and essentialness of writing. When you have held up a  small 
cardboard alphabet 
card for a writer who is completely nonspeaking and  nonmoving (except for 
the eyes), and 
pointed first to the A, then the B,  then C, then D, until you get to the 
first letter of the 
first word of the  first line of the poem she has been composing in her head 
all week, and 
she  lifts her eyes when that letter is touched to say yes, you feel with a 
fresh  immediacy 
the human drive for creation, self-expression, accuracy, honesty  and 
wit--and the importance 
of writing, which celebrates the value of each  person's unique story and 
song.

So the prospect of a festival of books  seemed wonderful to me. I thought of 
the opportunity 
to talk about how to  start up an outreach program. I thought of the chance 
to sell some 
books,  sign some books and meet some of the citizens of Washington, DC. I 
thought that  I 
could try to find a way, even as your guest, with respect, to speak about  my 
deep feeling 
that we should not have invaded Iraq, and to declare my  belief that the wish 
to invade 
another culture and another country--with the  resultant loss of life and 
limb for our brave 
soldiers, and for the  noncombatants in their home terrain--did not come out 
of our democracy 
but  was instead a decision made "at the top" and forced on the people by 
distorted  language, 
and by untruths. I hoped to express the fear that we have begun to  live in 
the shadows of 
tyranny and religious chauvinism--the opposites of  the liberty, tolerance 
and diversity our 
nation aspires to.

I tried  to see my way clear to attend the festival in order to bear 
witness--as an  American 
who loves her country and its principles and its writing--against  this 
undeclared and 
devastating war.

But I could not face the idea of  breaking bread with you. I knew that if I 
sat down to eat 
with you, it would  feel to me as if I were condoning what I see to be the 
wild, highhanded  
actions of the Bush Administration.

What kept coming to the fore of  my mind was that I would be taking food from 
the hand of the 
First Lady who  represents the Administration that unleashed this war and 
that wills its  
continuation, even to the extent of permitting "extraordinary rendition":  
flying people to 
other countries where they will be tortured for  us.

So many Americans who had felt pride in our country now feel anguish  and 
shame, for the 
current regime of blood, wounds and fire. I thought of  the clean linens at 
your table, the 
shining knives and the flames of the  candles, and I could not stomach it.

Sincerely,

SHARON OLDS  

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