[lit-ideas] Operoar

  • From: Jlsperanza@xxxxxxx
  • To: lit-ideas@xxxxxxxxxxxxx
  • Date: Wed, 25 Feb 2009 07:39:33 EST

"Operoar" is the title of a book on James Joyce's references to opera. I  
still have to look at it.


Schilleriana

In a message dated  2/25/2009 4:47:09 A.M. Eastern Standard Time, 
cblists@xxxxxxxx writes:
On  25-Feb-09, at 1:52 AM, Jlsperanza@xxxxxxx wrote:

> There are  only  two hits in the OED for 'freude': the schadenfreude  
>  one and a few under  'strength
> through joy [freude]'  (1935)

That's terrible! Rewrite the thing immediately! How about that  over  
200 year-old scrap of poetry 'An die Freude'- not wholly unknown  in  
the English world
-----

That's very good. I was recently  listening to Schiller, actually. 

You see, I'm into opera, and want to  have my Donizetti complete. So I got 
the "Maria Stuarda" DVD, only to find out  -- it's not that bad -- it's a 
German 
television film, in German,
with  operatic bits dubbed by la Stupenda Sutherland and Pavarotti.

I'm amazed  how many of the Italians fell for Schiller for operatic purposes.
There's  also Verdi, "Luisa Miller" (based on the Kabalah book) and "Forza 
del  Destino".

In the case of Verdi and the Milan group (around La Scala) it  is 
understandable because Maffei (married to this contessa) _was_ a  Germanophile. 
Donizetti 
being from further south -- or _working_ further south  -- is a more 
difficult case to analyse.

But I suppose Schiller was  everybody's fare of the day, in that day.

I'm learning a lot of Teutonic  literature via the Italian operas. There's 
Gounod and Boito's Fausti, of course  -- my favourite being the "Salute, 
demure, 
casta,  pura" -- and Massenet's  Werther (with the grand 'perche me 
ridestar'). O.T.O.H., German composers  themselves (Wagner, and Richard 
Strauss) take 
much longer to assimilate. Of R.  Strauss, what did get me is his parody on 
Rossini's serenata (Barbier) in "Di  rigore armato il seno". And of Lohengrin I 
still have to study the tenor aria in  Italian (for a local recital, if you can 
believe that):
 
LOHENGRIN. Premiered in Italian at Royal Italian Opera House, Covent  Garden, 
May 8, 1875.         
rec. Pertile,  1927.
Libretto by Arrigo Boito, Music by R.  Wagner
The cast at Covent Garden
Henry The Fowler ......Seideman  
Lohengrin (tenor).......Nicolini 
Elsa .........................Albani  
Friedrich von Telramund ......Maurel
Ortrud  (female)....................Capponi 
Four Nobles ...............Rossi,  Manfredi, Fallar, Raguer 
Four Pages .........Parry, Pocchini, Estele,  Portaluppi, Ferrari, Vianello, 
Abraham, Mardini
Conductor : Auguste  Vianesi  After the premiere, Lohengrin was regarded as 
one of the most  interesting musical events of the season.   

Lohengrin’s “Aria”, “Da voi lontan in sconosciuta terra”

Da voi  lontan in sconosciuta tERRA
havvi un castel che ha nome MontsalvATO
là un  sacro tempio una foresta sERRA
di gemme senza pari e d’oro ornATO
ivi una  coppa che del cielo è dONO
guardata è qual reliquia del signOR
a lor che  di virtù campioni sONO
un angiol la portò sull’ali d’OR
ogni anno una  colomba vien dal ciELO
a rinnovare il santo suo potER
essa è il san grail  e forza e santo zELO
infonde in seno dei suoi cavaliER
chi del san graal è  a cavaliere elETTO
munito è di potere sovrumAN
inerte è contro lui  l’inganno abbiETTO
di ucciderlo si attenta ognun invAN
e se mandato egli è  in lontana tERRA
l’onore e la virtude a sostenER
ei resta vincitore in  ogni guERRA
poichè lo scorta un magico potER
però del Graal chi scopre il  velo arcANO
dal guardo dei profani de’ fuggIR
apparve a voi cotal segreto  strANO
Tosto deggio partIR
di voi prodi or si dia risposta dEGNA
del  graal qui mi traeva il gran volER
mio padre Parsifal in esso rEGNA
son  Lohengrin suo figlio e cavaliER

Sublime -- some of the modulations I had never head  before. Very 'witty' and 
'effective' and 'daring'. 

Cheers,

JL
  Bordighera, etc
 
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