WO: Although, if I may, when I think of the beauty of a deftly executed feint by Kovalev that leaves a goalie confused, perplexed and bewildered, I fail to find phenomenologically any reference within my experience to "narrative structure." .... Eric's reply needs to show that what I takes to be the "beauty" of Kovalev's artistry presupposes for its possibility an understanding of narrative structure - and this not only on my part, but on anybody's part who proclaims the beauty of Kovalev's moves. Whether it's Kovalev or Kondrashin or Kogan or Kafka or Karpov, there is narrative structure. If I understood the goalie's anxiety before Kovalev's kick, that is, if I understood scoring in soccer (football), I could clearly demonstrate the narrative structure. Walter doesn't have to have a Freitag Triangle in mind to appreciate the beauty of an elegant maneuver. He does, however, have to have a story about the game. The feint and subsequent goal may be regarded as a single scene in the larger drama of the game. The narrative structure (1) raises questions in Walter's mind (Who will win? By how much?) and (2) delays answering those questions (the various time periods and rules of the game). Eric ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html