[lit-ideas] Re: Lowelliana

  • From: "Lawrence Helm" <lawrencehelm@xxxxxxxxxxxxxx>
  • To: <lit-ideas@xxxxxxxxxxxxx>
  • Date: Fri, 21 Nov 2014 12:48:39 -0800

JL,

I reread "Sailing Home from Rapallo" and wasn't as disappointed as when I first 
read it, probably because my expectations weren't as high.  It's okay -- clever 
-- worth reading perhaps.

I also reread "91 Revere Street."  I don't really see his mother's influence in 
this piece.  I do see the influence of Commander Billy Harkness, his father's 
friend.  Lowell writes, "The man who seems in my memory to sit under old 
Mordecai's portrait is not my father, but Commander Billy -- the Commander 
after Father had thrown in his commission.  There Billy would sit glowing, 
perspiring, bragging.  Despite his rowdiness, he even then breathed the power 
that would make him a vice-admiral and hero in World War II."

I attempted to find this hero of World War II Vice-Admiral Billy Harkness using 
Google and failed.  Wouldn't someone like that have an article written about 
him some place?  Could Lowell have made him up?

Lawrence






"Mother travelled first-class in the hold; her Risorgimento black and gold 
casket was like Napoleon's at the Invalides." R. L.

Thanks for your opinions, L. Helm.

I found an interesting wiki entry for Lowell. Inter alia, it reads:

"Lowell's mother, Charlotte Winslow Lowell, in 1915. Along with Lowell's father 
and grandfather, she is a central subject in Life Studies, specifically  in the 
poems "Sailing Home From Rapallo," "91 Revere Street," and "Commander  Lowell""

I'm not sure about 91 Revere Street -- the thing is so specific -- but I can't 
think of Rapallo without thinking Beerbohm and the whole unspecificity of  it 
all.

Once a visitor asked Sir Max for his complete address. He replied, "Oh, Sir  
Max Behrbohm, Rapallo".
When the visitor asked if that was enough, he said, "Surely, there's only one 
Rapallo."

Cheers,

Speranza

Sailing Home from Rapallo: Gentle satire -- Warm tone -- Alliteration, sensory 
imagery, simile, evocative verbs and adjectives Direct address to Mother  and 
the description of their journey home to New England provides insight into  
family and his sense of loss ‘Your nurse …. cheeks’, ‘the whole shoreline … our 
 liner’.
Irony -- Historical context/public & personal -- Wider political  context
-- Contrast: Lowell avoids sentimentality through reductive irony.  ‘Mother 
travelled ….Napoleon’s.
Capitalisation Her lying in state, name,  their destination, and the inclusion 
of his father suggest the futility of their  pretentions and their loveless 
marriage. ‘our family cemetery.. drifts. ‘The  only ‘unhistoric’..
here,’  ‘In grandiloquent… LOVEL./ The corpse/was  wrapped like panetone in 
Italian tinfoil’.

---

In a message dated 11/21/2014 9:09:50 A.M. Eastern Standard Time, 
lawrencehelm@xxxxxxxxxxxxxx writes: "I’ve wearied of T.S. Eliot and turned to 
another poet I haven’t been able to appreciate, Robert Lowell; except in  
Lowell’
s case he doesn’t seem to have a loyal following.  There are some  though,
as I discovered from reading Modern Critical Views: Robert Lowell.   As with
Eliot, critics want to invest him with intentions he probably never harbored.  
One of his books, can’t recall the name, seemed to present some  grand scheme – 
according a critic whose name I can’t recall either – but then Lowell began 
revising the poems as though that’s all they were, poems, and not  part of the 
scheme – and the scheme suffered as a result J.
In MCVs is  an essay on Lowell’s book Land of Unlikeness.  What’s this, I 
thought?  I’ve never heard of that book (I actually had but I’d forgotten).  I 
checked Amazon.  Two copies are listed, one for $1200  and the other for $4500. 
 I checked Ian Hamilton’s biography of Lowell  (which I’d read in
2002) and found that Land of Unlikeness was never quite  published because 
Lowell kept revising the poems and was never happy with  it.  250 copies were 
printed for reviewers however.  Lowell  subsequently cannibalized the poems in 
the book – ten of which went into Lord  Weary’s Castle – sent to Randall 
Jarrell in 1945 for his review.  I  had a copy of Lord Weary’s Castle – the 
best thing he wrote in my apparently  inadequate opinion.  Randall thought it 
very good but Lowell threw off  poetic constraints and swung over to William 
Carlos Williams style of writing –  sort of -- and then became “ confessional.” 
 – But how much can any of us  confess and have it mean what we think it means? 
 Lowell and two other  confessors, Sylvia Plath and Ann Sexton remain 
mysteries.  Was Lowell a  Manic-Depressive, bi-polar in the kinder-gentle 
parlance of today, or just a  nasty piece of work?  Did he envy those who 
poured themselves so completely  into their poetry that nothing remained, try 
it, and became changed into the  role he set for himself? I sent for another 
copy of Lord Weary’s Castle as well  as some volumes I hadn’t read – but not 
Land of Unlikeness.  With critics  in Bloom’s MCV saying he is bloody 
marvelous, my previous opinion must be  wrong.


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