[lit-ideas] Re: Lost in Translation

  • From: "Andy Amago" <aamago@xxxxxxxxxxxxx>
  • To: lit-ideas@xxxxxxxxxxxxx, lit-ideas@xxxxxxxxxxxxx
  • Date: Tue, 4 Oct 2005 10:52:26 -0400

> [Original Message]
> From: John Wager <johnwager@xxxxxxxxxxx>
> To: <lit-ideas@xxxxxxxxxxxxx>
> Date: 10/4/2005 8:51:59 AM
> Subject: [lit-ideas] Re: Lost in Translation
>
>
>
> I actuallly just watched this again last week, for the second time.  I 
> too really enjoyed it. The second time around it seemed almost a modern 
> "Divine Comedy."  Murry/Dante wakes up literally 'lost" half-way through 
> his life,  in the brightly lit world of Tokyo.  He doesn't know how to 
> make the translation into a more mature life; he's stuck in the past of 
> his stardom.  Along comes Johanssen/Beatrice, who helps him find his way 
> back into hiis own life.  Divine love always comes through other human 
> beings. 
>


I'm struck by how predictable movies are that when sex is left out, its
lack becomes noteworthy.  I saw each of them as being lost, disconnected
from, rejected by, their spouse.  Their finding a fellow human to connect
to on a heartfelt level I thought is what drew them together.  I would
agree that such a connection is as close to divine love as humans get.  In
this case it seemed a father/daughter type of love.  Had they thrown sex
into the mix, it would have turned the movie into another run of the mill
girl-massages-aging-man's-ego.  I wonder how the movie would have further
changed if the Johanssen character had been middle aged.


Andy Amago

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