On Fri, Sep 19, 2008 at 10:03 AM, David Ritchie <ritchierd@xxxxxxxxxxxxx>wrote: > What I was trying to suggest is that the works I cited simplify into > equations what cannot and should not be so simplified. They do this in > order to make sentences engaging. I wrote, "Fiddle with the formula and you > have a sentence that plays." "Plays," rather than, "is true." > That is certainly true. I wondered myself if too close an homage to Tolstoy made the opening ring false. > > John persists, asking whether there is truth in the phrasing he quotes, and > suggesting that we've never grown out of Romantic notions that suffering and > meaning go hand in hand, and that happiness is an empty or lite state. I > have argued before, on this list I think, that happiness is the least > well-examined subject in art. We have lots and lots of art that takes > misery and darkness on, and finds meaning in suffering. We have very little > art that shows us how complex our notions of happiness are. > Oh, yes, oh, yes, indeed. Care to elaborate on some of the complexities you see? That would be a fascinating topic to discuss. > > I think happiness is a very difficult subject. That's why I tried to write > a novel about it. I also tried a seminar on the history of happiness. And > I've been wondering about the subject in paintings. I've no great success > to report. Angry brush strokes are easy; "happy, happy trees" easier yet. > Maybe somewhere between Sam Francis and Rothko, there's a way forward? > Please explain: Rothko I know; I have been in the Rothko room at the Phillips in Washington, D.C.. But I am not familiar with Sam Francis. John