JL: >>I suppose your favourite was the Swedish twins impersonating Castorra and >>Polluxa as an attempt to turn male-based Greek mythology a >>"feminism-digestible" thing.<< Good guess, but no cigar. My favorite shock art is daily life in Memphis. "Holy Shit!" Walter would say if he ever came here, "These people are fucking crazy." But it's all metaphor, of course, for the human condition. >>Remember that student -- where was she? Kenya? She brought her _grandmother_ >>to the show, and had her, naked, recite from the Koran!<< No, she was from Kentucky, but it's an easy mistake to make. An interesting program that was. Mike Geary Memphis ----- Original Message ----- From: Mike Geary To: lit-ideas@xxxxxxxxxxxxx Sent: Friday, July 18, 2008 7:19 PM Subject: [lit-ideas] Fw: Shock Art ----- Original Message ----- From: Jlsperanza@xxxxxxx To: lit-ideas@xxxxxxxxxxxxx Cc: atlas@xxxxxxxxxxxxx ; andreas@xxxxxxxxxx ; teemu17@xxxxxxxxx Sent: Friday, July 18, 2008 5:49 PM Subject: Shock Art Geary: you *have* to let the folks on this forum know about the Ministry of Metaphysics _summer semester_ on 'shock art'. Remember that student -- where was she? Kenya? She brought her _grandmother_ to the show, and had her, naked, recite from the Koran! And then there was that boy -- was he South American -- who would recite in American Native Indian language from the pages of the Apocalypse while combing his dark hair with an ivory comb. I suppose your favourite was the Swedish twins impersonating Castorra and Polluxa as an attempt to turn male-based Greek mythology a "feminism-digestible" thing. Mine _has_ to be that Scottish professor of the St. Patrick Society (was he) who would hold his ukelele and recite, "And a look in his eye seemed to say to the sky ..." complete with chorus! I also had fun with R. Emeritus Paul as member of the jury. He always had the last final word, "unappealable", as you said! Cheers, JL In a message dated 7/18/2008 3:56:01 P.M. Eastern Daylight Time, rpaul@xxxxxxxx writes: > Those who are behind in their reading about Dutch performance art begin > here, "Like terrorists, I work with the elements of shock and > disorientation. The big difference is the scale...The big difference is > that unlike terrorists, I'm not aiming for fear" All sorts and conditions of famous logicians came hurrying round at a run... R. Paul, channeling ------------------------------------------------------------------------------ Get fantasy football with free live scoring. Sign up for FanHouse Fantasy Football today.