In Lee Siegel's Harper's magazine review of _Just Enough Liebling: Classic Work by the Legendary New Yorker Writer_, I come across two paragraphs that strike me as worth remembering. The first makes a useful distinction: > A literary profile is the verbal equivalent of a drawing, painting, or > photograph: just one side of a person, that side he or she wishes to > make public. A portrait, on the other hand, is a revelation, an > exposure. A portrait aspires to full disclosure; it captures a person > in chiaroscuro, both the revealed as well as the secret places. I wonder if it is original? Or if someone here knows of another source? The second is a description of style: > This subtle, respectful, simultaneously fang-exposing and gently > defanging comedy was the essence of Liebling's prose. It explains his > liking for fancy-sounding language that both conceals and expresses > low impulses, a type of verbal burlesque that itself recalls the > faux-formal badinage of one of the great insouciants of all time: W. > C. Fields. A slow, sly laughter, after all, is the only sane response > to destiny's incessant ringing slaps. I wonder whose fangs, the writer's or the subject's, are being exposed and extracted. John L. McCreery The Word Works, Ltd. 55-13-202 Miyagaya, Nishi-ku Yokohama, Japan 220-0006 Tel 81-45-314-9324 Email John.McCreery@xxxxxxxxxxxx "Making Symbols is Our Business" ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html