I saw.. now hold on, make no assumptions please... I saw a small clip of what, from David's descriptions, could only have been the winning entry. Squinting at the wide screen TV I found myself looking closely at the lead singer (amongst a obviously male entourage) and concluded that she was probably female; no doubt from the tone of the singing, although that's no guarantee. It turns out that the entire crew was female. It wouldn't have made me watch. Someone said, on Saturday, that the Eurovision Song Contest was on that night. "It's such a scream!" So I screamed. Simon Ironically, no doubt on Dartmoor ----- Original Message ----- From: David Ritchie To: lit-ideas@xxxxxxxxxxxxx Sent: Monday, May 14, 2007 4:41 PM Subject: [lit-ideas] Re: Eurovision Politics For those who, on this side of the pond, haven't a clue what Eurovision is about or why it might be interesting, here's a quick summary: it is an international pop competition, the rules being that your song must be somehow comprehensible to lots of viewers who only have a smattering of English as a common language. The result in the old days was reflected in Monty Python's lampoon in which a policeman from Monaco sang, "Bing Tiddle Tiddle Bong: (Eurovision girl comes in.) Girl: And that's the final entry. La derniere entree. Das final entry. And now, guten abend. Das scores. The scores. Les scores. Dei scores. Oh! Scores. Ha! Scores! (cut to scoreboard in Chinese) Yes, Monaco is the winner - hall Monaco is the linner- oh yes, man, Monaco's won de big prize, bwana ... and now, here is Chief Inspector Jean-Paul Zatapathique with the winning song once again. (The accompaniment starts as the singers hum the intro. Cut to flashy Eurovision set. Zatapathique steps onto podium.) Voice Over: (hushed tone) And so, Inspector Zatapathique, the forensic expert from the Monaco Murder Squad sings his song 'Bing Tiddle Tiddle Bong'. Zatapathique: (spoken) Quoi? Quoi? Tout le monde, quoi? ... mais, le monde ... d'habitude ... mais ... je pense ... Zatapathique and Singers: Bing tiddle tiddle bang Bing tiddle fiddle bing Bing fiddle fiddle tiddle tiddle Bing fiddle tiddle tiddle BONG! According to the Scotsman today ( http://news.scotsman.com/index.cfm?id=742472007) Europe is currently divided into two, the postmodern, ironic audience which watches because the show is so awful, and the other half, which believes there are good reasons to win. I quote: Adrian Monck, a media analyst, said: "In the west, we're interested in Eurovision for post-modern ironic reasons. The eastern Europeans have yet to go through the ironic stage - there is a certain cheese factor with Eurovision that doesn't play there." However, Serifovic and her five female backing singers have already acquired one hallmark of classic Eurovision status - by being acclaimed as gay icons. Serbia's tiny gay community - unpopular in the deeply conservative Orthodox Christian country - embraced their country's all-girl winning act as an example of lesbian chic. "A big win for Serbia, a small step for gay rights," sighed one partygoer, leaving Belgrade's only gay-friendly club. David Ritchie, eurovision impaired in Portland, Oregon