I made a vague reference to Hart Crane's The Bridge having something in common with Whitman's Song of Myself, and Mike took exception. I read them both years ago; so I rummaged through my bookshelves and looked at the books in shelves in my garage but couldn't' find anything by or about Crane. So I turned to Google. The following seems to be on the dust jacket of a volume of The Bridge: "THE POETRY OF Hart Crane appeared on many of the Beats' reading shelves, including Allen Ginsberg, William Burroughs, Gregory Corso, and William Evans. His work was a poetic bridge between the nineteenth century and the twentieth, taking inspiration from Whitman and Emerson, and exerting great influence on the Beats, who thought of him as a modern Walt Whitman. He attempted, like Whitman, to capture the entire American experience in one book of poetry, and The Bridge is often thought of as a twentieth century 'Song of Myself.' Indeed one of the poems in The Bridge, 'Cape Hatteras,' is written to Whitman and concludes, "My hand in yours, Walt Whitman-so-." Crane, who suffered from alcoholism and depression, committed suicide in 1932 by jumping from a ship in the Gulf of Mexico." Of course the "is often thought of" is no clearer than my earlier reference. I found so many study guides that ask students to relate "Song of Myself" with "The Bridge" that I was tempted to give up the search for something scholarly. Here is an example: "1900 America: Historical Voices, Poetic Visions -- Lesson, Learning Page" invites students to use life histories, recordings, & other primary resources to create their own multi-media epic poems about the year 1900. Walt Whitman's "Song of Myself" & Hart Crane's "The Bridge" serve as models. (LOC) <http://memory.loc.gov/ammem/ndlpedu/lessons/00/voices/index.html> http://memory.loc.gov/ammem/ndlpedu/lessons/00/voices/index.html Here is a scholarly aside from a University of Georgia article by Edward Hirsch: http://www.uga.edu/garev/summer03/hirsch.htm Crane's The Bridge as a modern mythification of America, a fierce Whitmanesque chant to the New World. There was also a fair amount of references to gay poets who claimed both Whitman and Crane as antecedents, but I passed them up as being largely irrelevant. I give up. Lawrence