[lit-ideas] Re: Censorship Battle Over Frenchman's Face [was War Is War Is War]

  • From: Omar Kusturica <omarkusto@xxxxxxxxx>
  • To: "lit-ideas@xxxxxxxxxxxxx" <lit-ideas@xxxxxxxxxxxxx>
  • Date: Fri, 6 Sep 2013 13:45:35 -0700 (PDT)

Well, I am not sure how the image is censored if we can view it right here on 
the Internet, is this somehow confidential ?


Wondering about the definition of censorship,


O.K.




________________________________
 From: David Ritchie <profdritchie@xxxxxxxxx>
To: lit-ideas@xxxxxxxxxxxxx 
Sent: Friday, September 6, 2013 10:39 PM
Subject: [lit-ideas] Re: Censorship Battle Over Frenchman's Face [was War Is 
War Is War]
 




On Sep 5, 2013, at 7:37 AM, Donal McEvoy wrote:


>
>http://www.theguardian.com/world/2013/sep/04/francois-hollande-photo-news-agencies
>
>
>Unlike some of JLS' posts, you couldn't make it up.
>
>
>Somewhere in my files I have a good number of negatives that were not 
>published by the newspaper which employed me.  This was for one or more of 
>several reasons a) the shots didn't support or reinforce the story I was 
>writing, b) they broke the unwritten rule that you don't mock power without 
>cause c) they didn't conform to the image vocabulary we've developed d) they 
>were the photographic equivalent of acknowledging a fart.  I have sometimes 
>thought it might be interesting to print the images and have a show of 
>celebrities' unguarded moments, but I've been unable to think of a good 
>reason.  Can anyone on the list?  What do we learn from the image of Hollande? 
> That in some moments he looks silly?  That gravitas is constructed and we 
>collectively agree to seeing the clothes we're told to see?  That people who 
>make decisions on our behalf are people, and no more?

David Ritchie,
Portland, Oregon

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