From: http://biolinguistic.yolasite.com/prominent-scholars/karl-b-hler-1879-1963- I intend to comment, briefly, as I mediate into tomorrow, which is another day, on Buehler, Popper, and Grice: "The three main functions of language Bühler distinguishes in his organon model are Darstellung (representation, of states of affairs), Ausdruck (expression, of the sender’s feelings), and Appell (appeal, to the receiver)." So, repeat: darstellung -- representation, as in Schopenhauer, World as WILL (Volition) and Representation (Belief) I think 'dar', is cognate with 'there'. Stellung, with 'stay'. --- ausdruck, we have the aus, which is the OUT. As in OUTERance, utterance. The druck I'm never sure what is. Express does not seem to 'express' this. And why should it be of just the sender's FEELINGS? Surely I can express my belief ("I believe in God", or "I believe that it is raining"). Rather Grice here has 'exhibitive' -- all moves are exhibitive; some are further protreptic, or of the persuasive type ("I believe in God, and you should too"). The 'appell' is more like a fallacy "ad misericordiam" and stuff. There's ALWAYS appeal. No communication is gratutitious like that -- no such thing as a free lunch. ---- "appeal" can be 'ambiguous', as in sex-appeal, or appeal to a tribunal. --- And so on. The online piece linked above goes on: "All functions exist in every single utterance. However, usually one prevails. When the focus is on the feelings of the sender, the expressive function of communication dominates. An object-oriented communication is very neutral or representative. If the focus is on the receiver, we deal with an appeal. The circle in the middle of the illustration above symbolizes the concrete, sensibly given sound. The overlapping triangle symbolizes meaning of the sound and its Gestalt-like features. In those places where the circle is bigger than the triangle, the sound (circle) contains information that lacks meaning (triangle). Where the triangle is bigger than the circle, there is a meaning (triangle) lacking an expression in sound (circle). Both phenomena occur all the time in every day’s communication. The linguistic sign itself is a symptom, a signal, or a symbol." So we are getting Peircean here: "If it is a symptom, it reveals the interiority or consciousness of the sender. If the sign is a signal, it is directed to the behavior of the receiver. Signs that are mere bearer of information about the states of affairs are symbols, just representing the objects themselves." While Peirce whom Grice studied played with this, as did Cassirer, we Griceians are never convinced enough that 'symbol' is a separate category. It's TOO Greek (sumbollein) and we already respect 'seme' into the scheme. So what makes a semeion a symbol? Since no Greek ever considered this question, why should we? The entry concludes: "Roman Jakobson expanded Bühler’s model and assumes six functions of language, adding the poetic, phatic, and metalingual function to Bühler’s three functions. Karl Popper, who was a student of Bühler’s in Vienna, proposes an additional argumentative function." As he would. There's a recent PhD dissertation I saw online on Grice and dialogue logic -- so Popper has a point. In that 'arguing' is usually a conversational manoeuvre and a pretty extended one at that. It seems that Grice touched on this. But he would restrict 'reason' (rather than 'argue') to discourse: p p --- c premise premise --- ergo conclusion. So we need at least TWO utterances: premise conclusion. The OED considers 'reasonings' or arguments of the form "I like it because I like it" as "woman's reason". This sort of reasoning Grice calls 'trivial'. Also reasoning that lacks a point: "If I have five balls in my left hand and three balls in my right hand, therefore, I have less balls in my right hand than I have in my left hand, even if I substract two balls to the ones I already possess in my right hand." Valid -- but --- the point? Etc. And so on. Buhler was probably very HEAVY as a thesis-advisor. Cheers, Speranza