Powerful work, Steve! Lawrence -----Original Message----- From: lit-ideas-bounce@xxxxxxxxxxxxx [mailto:lit-ideas-bounce@xxxxxxxxxxxxx] On Behalf Of Steve Chilson Sent: Saturday, December 09, 2006 1:16 AM To: lit-ideas@xxxxxxxxxxxxx Subject: [lit-ideas] Apologies For Posting Too Much I do apologise, particularly for having nothing of interest to say and for making you delete too often and frequently. As penance, I leave a poem of mine for you to ponder: FLIGHT Mischievous winds kidnapped the evidence of my love on paper, cupped it upwards. out, scooped it with invisible hands, carried it down the mouths of avenues, scrolls of my blown words flown past the feet of strangers, the nipping jaws of dogs over parked cars, hugging any fence or leafstalk, slapped against a windshield like a flyer advertising lagniappes before lively dancing tarantellas in and out of shadows, not as I'd hoped, through your opened window, but finally out of vision. So the words I'd warily scripted and tucked in before midnight, (hoping you might find them awake, ready to speak today,) were stolen from my grasp en route, after a demi-tasse and brioche, strolling down the street to your room, set free by winds who lunged and snatched with veiled malevolence. The descriptions of my love, so carefully wrung from my heart unto paper, are now as worthless as the chirping birds whose song you can not decipher: All excuses created with clarity, while at home, alone, you waited, perfectly sanguine. II. HER WANING PATIENCE Divinity is a sleep from which I'll wake. Deficient love assumes another texture. Incalescent, steamy worlds cool, leaving dew. My capacity for tenacity, holding on to thinning films of faith, evaporates with little left to cling to. I'll retain this expectation, but not forever. III. TEMPORALITY IS BLISS How frugle, to attempt preserving love as though it were a fruit. As though there were no periods of senscence, no dates of expiration. Are you not aware this fruitious flesh will be forced one day to wither, to accept its seedless future? I would pledge instead, a pared-down version whose courage falls from the core, ounce by ounce, until we are bare of expectation, reduced to eating only what is ripe. IV. VOWS AND CRIES AND SONGS This breath of love I've drawn in expectation of a fragrant song exhaled has now grown foul for lack of faith. I will not draw another without evidence of commitment. These mocking words of yours are masks you use to hide your deeper fears rooted in a world you refuse to show. Why don't you confess? V. THE LAW OF THE SUPPLIANT Shall I confess that a songstress perched with the intent of nesting in my heart should persuade me to exist solely to serve, a slave to the Law of the Suppliant? That I should not protect myself as fruits of passion grow so fat upon the bough they could snap the limb we both rest upon? You must slow down. Commitment doesn't come when it must be drawn like blood from ardour. I will be of little use, growing pale and weak with obsession for the songstress. VI. HER CLASH WITH REALITY Reluctantly I see I cannot shape such strong aversion to commitment, nor will I find in you a man so devoted he would disregard his fear of courtly love. So am I left with only modern applications, apprehensions fueled by self-absorption such as yours? This alone will never suffice. VII. HIS SURRENDER You win. It has not been enough to pledge there are no others. Nor enough to vouch that the radiance of every woman darkens in the shadows of your gestures. Is this your rendition of commitment? If you want subservience then I will renounce myself solely so my every waking moment will be spent composing catchy jingles of my love for you, songs announcing to the world how powerless I am in your wake. Yes, you can have all my love, every ounce and leftover crumb. But is this selfless dedication worth more than what you had before? I wonder what it is you wanted more, some clichéd validation of devotion, some frail token of my dying dedication? You speak of fears and masks that I possess. I seek to keep a portion of myself. But as you wish, you'll have your evidence: deception that will only fool yourself. VIII. HER FAREWELL No, I see this not as sincerity, just a different brand of fear. Not, as it once seemed, as a terror of commitment but now this newer panic owed to dread of loneliness. It is not me whom you seek to love, but a false reflection of yourself. This fruit of love I sought from you has rotted with remorse. IX. HIS LESSON What element of cruelty persuades you now to leave, when you have me on my knees? Although I loved as richly as I could, you leave me for possibility someone else could love you more? Whom have you deceived, yourself or me? You demanded I succumb, that I buckle from the pangs of love, that I weep, rotting my wooden soul and all for what? So you could render me speechless but for sighs? So you could make light of my bewilderment? Abandoned, I discover that you prefer to leave behind the memory of your love to mourn with me. But I will construct some patchwork mistress and reach a lofty excellence without this hinderance of loving first. -- Steve Chilson stevechilson@xxxxxxxxxxx -- http://www.fastmail.fm - One of many happy users: http://www.fastmail.fm/docs/quotes.html ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html