[LRflex] Re: la posada hotel.. Winslow, Arizona AND OTHERS.

  • From: Andy Wagner <yxandy2001@xxxxxxxxxxxxx>
  • To: leicareflex@xxxxxxxxxxxxx
  • Date: Thu, 6 Sep 2007 15:15:51 -0700 (PDT)

Ted 
  Thank you for the critique. It is unbelievable how much I can learn from your 
comments. Thank you for taking the time to teach. Now If only I can put the 
chain saws down and pick up the camera again!!!!! Damned "honey do" list!!!!  
:-(

Ted Grant <tedgrant@xxxxxxx> wrote:
        st1\:*{behavior:url(#default#ieooui) }                Steve Barbour 
shows us How! Again and again!
  Subject: [LRflex] 
   
  Hi Steve & others,
  This is a look at about a half dozen Steve Barbour postings one after the 
other.
   
  >>>> la posada hotel.. Winslow, Arizona on one side...
  http://gallery.leica-users.org/v/barbour/PAW2007/posada-garden.jpg.html<<<<<<
  If part of photography is about feelings this is a beauty right on the mark 
comforting. Like who wouldn?t want to spend time right here relaxing as the 
picture illustrates. Good one Steve.
   
  >>>>> on the other side...
  http://gallery.leica-users.org/v/barbour/PAW2007/trackssunset.jpg.html
  M8  S'lux 35mm 1.4 ASPH<<<<<<<
   
  The Magic of Light! Simple railway tracks become ribbons of shining light 
instead of railway tracks. It?s all in the eye and the ability to see beauty 
where others merely see rusting rails! Fine use of a simple 35mm lens as I 
first thought it might have been a 21mm.
  ==================================
  >> Using the M8 with a CV 12mm lens...at home... a surprisingly effective 
combination,
  http://gallery.leica-users.org/v/barbour/PAW2007/up.jpg.html
   
  http://gallery.leica-users.org/v/barbour/PAW2007/up2.jpg.html
   
  http://gallery.leica-users.org/v/barbour/PAW2007/tikwawbw.jpg.html
   
  The first two are interesting but fall into the usual thing most photogs 
shoot when they first play with a super wide lens. Shooting up trees be they 
coconut palms or cedars, whatever. We all have done this.
   
  However! The third one with Tikwa the dog is all about using a super wide in 
interesting fashion. I?d bet most people would re-act in negative manner if 
they were to hear you were going to use a 12mm lens to photograph a dog as 
they?d be expecting ridiculous distortion. I think it a normal re-action to 
using a 12mm or other super wide lenses.
   
  But this works beautifully because the camera is ?HELD STRAIGHT VERTICALLY 
AND HORIZONTALLY CORRECT!? And that is the major secret to using any super wide 
lens. Unless you deliberately want wild wild distortion. 
   
  And if this is the mode of operation, wild distortion, then go as wild as 
possible, wilder the better. Simply because a teensy bit of distortion will 
kill you every time! I don?t see any 12mm distortion in this photograph. All I 
see is a damn fine photograph well executed! J
     

   
  >>> When I saw the magnificent film, Out of Africa,  last evening...
  it pushed me to return to the early images of Chipaye in our hospital,
  just after her arrival from Congo, Africa...
  http://gallery.leica-users.org/v/barbour/PAW2007/chipaye.jpg.html<<<<<<
   
  You?ve all heard me say the three most important things to make a good 
photograph are: LIGHT ? EYES ? CONTENT!
   
    Need I say more about this picture?  I have no idea what I?d do or think of 
doing to improve it without screwing it up. Perfect Steve!

   
  we hit the dog park at 5 am...poor tikwa, it's a tough life...
  http://gallery.leica-users.org/v/barbour/PAW2007/tikwa-lr.jpg.html
   
  Well it maybe 5 a.m. but look at the light! It?s called ?SHOOTING FROM THE 
SHADOW SIDE!? Clean and simple!  Man if it?s Light ? eyes ? content for people, 
here?s an excellent example it works well with animals also. Once a photog 
learns this simple light thing then you automatically begin to see it and move 
into a shoot position to make use of it. Certainly in more places than you 
could ever have imagined.
   
    Unfortunately as many times as I?ve explained LIGHT and shoot from the 
shadow side with examples. There are still some folks who obviously don?t have 
a clue what the hell understanding and seeing light can do in making or 
breaking a photograph.  Be that as it may, obviously Steve is one who always 
makes the light work for him. Please take note: shoot from the shadow side 
folks! 

   
  So Steve I think I?ve finally caught up with your last postings to date. Just 
keep them coming as they?re always great examples for others to learn from in 
many ways.
   
  ted
   
   
   
   
   
   
   
   
   
   
   




------  >--
Regards
YXAndy

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