Hello Richard, Hello Miha, > I've been away from 'Film' for so long -not entirely voluntarily- that my > neural pathways in my ol' brain locker aren't giving me the answers as to > 'Why', > I like the integrity of film-based photography. > but there appears to be multiple technical issues with the images you've > shared. > First thought I had when I saw the images was - nice aesthetic 'content' > and > immediately the second was 'Were these shot with a Diana/Lomo camera?'. > Being a > Mamiya C with the reliable 80mm base lens likely rules out 'body/lens' > issues > fogging the film, the highlights are rendered/printed quite oddly which > makes me > wonder about how the film was handled/processed and the nature of the > chemistry > you used both for the film and the prints, The scene was lit by spot lights, so to preserve some detail on faces, I had to let the highlights go while printing. This could have been tamed a bit by 'pull' development, but I had to 'push' the film while processing it as there was not enough light for the film I've used. Fomapan 200 needs 6 min in TMAX developer when normally exposed, but in this particular case it got 12'. The prints where developed in Moersch Eco 4812 - a natural tone developer, similar to Kodak Dektol in tone, but as the name suggests it contains no metol or hydrochynon: http://www.freestylephoto.biz/34465-Moersch-ECO-4812-Paper-Developer-1-Liter?cat_id=301 and there are odd color variations across the prints/scans which could be an artifact of the scanner - I guess. > You are correct here - I don't have even have a scanner, so I've taken snaps of the prints with my Panasonic g1 camera. The prints have a warm hue at the top and a cool one at the bottom - entirely my fault. The paper: http://www.freestylephoto.biz/15282-Adox-Variotone-Warmtone-VC-FB-8x10-25-sheets-Semi-Matte?cat_id=503 has lovely olive/warm/brown tones on a pure (cool?) white paper base. There is an odd little mish-mash of things in the images you've shared Miha. > Kudo's if they were intentional because I think you might be onto an > interesting > aesthetic to explore. > However, having -once upon a time- been both a student and practitioner of > the > crafts involved in the Arts of the Darkroom... I suspect you've been the > accidental beneficiary of the vagaries of the sciences and methodologies > involved in your endeavours. > > Show More, Share More, Learn More, Teach More... > A person learns to do by trying and tries by doing, so keep doing! > > Thanks Richard for your lengthy, thoughtful response. Miha ------ Unsubscribe or change to/from Digest Mode at: http://www.lrflex.furnfeather.net/ Archives are at: //www.freelists.org/archives/leicareflex/