I've been a great fan of Kyocera lenses ever since the first Yashica SLR I owned, an Electro-X, long before moving on to Leica and other stuff. A Lynx 5000, an Electro 35 GSN, an Electro 35 GX fixed-lens RFs and a couple of FX-D Quartz SLRs a Contax RTS, a 137MD and a whole bunch of excellent and reasonably priced lenses still grace one of my cabinets. Their quality is generally superb to impeccable - I often wonder why Yashica was always treated as one of the underdogs of the camera and lens manufacturing fraternity. The GX is a gorgeous, extremely well engineered (has the same feel to it as Canon A1, cool and ready for anything) little camera with a pin-sharp 1.7/40mm lens and superbly accurate automatic exposure that (almost) fits in a jacket pocket. It even has automatic parallax correction in its RF/VF. Cheers Douglas On 12.02.2010 12:40, Walter Kramer wrote: > Yes, and the 35-70 f4.0 is also good and made in Japan by Kyocera. > > Bille Xavier F. wrote: > >> Walter, Doug, all, >> >> I have currently a 80-200 with the mention "made in Japan" ..... >> >> --------------------------------- >> >> Xavier F. BILLE >> >> Maisons-Alfort - France. >> >> >> >> >> >> >>> Date: Fri, 12 Feb 2010 21:57:40 +1100 >>> From: walter.kramer@xxxxxxxxxxxx >>> To: leicareflex@xxxxxxxxxxxxx >>> Subject: [LRflex] Re: The "not a REAL Leica lens" 70-210 zoom >>> >>> Doug, >>> >>> Yes, my understanding is that the 80-200 is a Leica design made by >>> Kyocera for Leica. The 70-210 Leica lens is a Minolta design but >>> specked up and made by Minolta in Japan for Leica. Personally I get a >>> lot of satisfaction and good results from using older lenses and the >>> price is right. I would encourage people to explore this option now >>> that one can mount legacy glass on micro four thirds cameras. I have a >>> 50mm Summicron DR which I sometimes mount on my Pana G1 and the special >>> character of that lens is not lost. >>> >>> Cheers >>> >>> Douglas Sharp wrote: >>> >>> >>>> Walter, >>>> And I seem to have read somewhere that the 80-200 is a Kyocera. >>>> >>>> I certainly agree on your last point - it's the "character" of a lens >>>> that is important, not its clinical, technical perfection. >>>> >>>> I have a couple of "cheap& nasties" that produce a wonderful atmosphere >>>> in certain shots. E.g. a Steinheil Cassarit 2.8/45 for a Braun Paxette >>>> (Braun screw mount) that makes gorgeous misty pictures like an immensely >>>> expensive Softar when used on bellows. >>>> >>>> Cheers >>>> Douglas >>>> >>>> On 12.02.2010 11:12, Walter Kramer >>>> >>>> > ------ > Unsubscribe or change to/from Digest Mode at: > http://www.lrflex.furnfeather.net/ > Archives are at: > //www.freelists.org/archives/leicareflex/ > > ------ Unsubscribe or change to/from Digest Mode at: http://www.lrflex.furnfeather.net/ Archives are at: //www.freelists.org/archives/leicareflex/