Walter, And I seem to have read somewhere that the 80-200 is a Kyocera. I certainly agree on your last point - it's the "character" of a lens that is important, not its clinical, technical perfection. I have a couple of "cheap & nasties" that produce a wonderful atmosphere in certain shots. E.g. a Steinheil Cassarit 2.8/45 for a Braun Paxette (Braun screw mount) that makes gorgeous misty pictures like an immensely expensive Softar when used on bellows. Cheers Douglas On 12.02.2010 11:12, Walter Kramer wrote: > Hate to add to confusion but I am led to conclude from online research > that the Leica 70-210 f4.0 is a Minolta design specked up to Leica > requirements and sold as a Leica lens. > > I sold one of these for the 80-200 f4.0 however my conclusion after > using both is that the 70-210 is a very fine lens in it's own right and > has a character different to the 80-200 especially with regard to tone > and bokeh ... yet not as sharp. > > Sharpness and resolution aren't the be all and end all, so much so in > this case that I am considering re-acquiring the 70-210 for its special > qualities - never sell a Leica or Leica *simulacrum*? > > ------ Unsubscribe or change to/from Digest Mode at: http://www.lrflex.furnfeather.net/ Archives are at: //www.freelists.org/archives/leicareflex/