Thanks Charlie. Your contribution was very informative. And if I may try to summarize it all, we should end up with a contraption of a large and heavy rock resting on sand, supporting a spring footed composite tripod of which one triangular leg element would be made of wood, and stabilized with bags of a mixture of sand and lead hanging from rubber tyres. (Have I forgotten anything?). :-D Just the idea of it pleases me, it does. I don't know if I'll have the courage to build one some day, but it might be worth the try for the Guiness Book too. Slaint ! Boyishly Phileicangemix. chfalke@xxxxxxx wrote: >Douglas, Philippe, > I'm not a physicist, but a mechanical engineer. The spring >system would isolate the suspended table from inputs from >the ground, such as the little earthquakes caused by passing >cars. Isolation means that the springs are soft compared to >the suspended mass. (In engineers' terms the natural frequency >of the table/spring system is lower than the exciting frequency.) > In this case the subject and the camera would both need >to be on the table. > The things you want a tripod to do, as a rule, are not to deflect >in response to disturbing forces, and to damp out quickly. >High stiffness (metal) reduces deflection, but some metal has >relatively low damping, meaning it springs back. Wood has >higher damping, but enough wood will be better, which is why >you see it used in tripods for surveyors' transits. > Composite is very stiff and has can be made with high >damping ratio, which is why it's worth the bucks. > We tend to use "rigidity" to mean stiffness and high >damping both, and sometimes also a structural design >that favors more system stiffness for a given mass, >such as tripods with cross bracing, wide section legs, and >legs that have triangular form. > So the following are good, composite, wood, (metal if there is >enough relative to camera weight), centerpost down, and >leg extensions retracted so that point of the the triangular part of the leg >is close to the ground. A Graflex Crown #2 is pretty good >if it's sound. Metal Gitzo's are good, too. I think they must use >an alloy with high damping. >Hope this helps. >Charlie. > >---- Douglas Sharp <douglas.sharp@xxxxxx> wrote: > > >>I'm not sure, Philippe ? A rigid system would be less prone to higher >> >> >------ >Unsubscribe or change to/from Digest Mode at: > http://www3.telus.net/~telyt/lrflex.htm >Archives are at: > //www.freelists.org/archives/leicareflex/ > > > ------ Unsubscribe or change to/from Digest Mode at: http://www3.telus.net/~telyt/lrflex.htm Archives are at: //www.freelists.org/archives/leicareflex/