Chris, The last two photos that I saw on the opening page- where the bride is viewed from behind- are really beautiful abstractions. The forms are beautiful, ethereal. I think if I were working them in Photoshop I might strive to bring out some of the textures in the fabrics a little bit more. I worked every fold of fabric in this picture: http://www.socphoto.com/jsgmf2006/pages/MO2005_R17_29_Raw3d_Final.htm and this one: http://www.socphoto.com/jsgmf2006/pages/MO_0605_09_27_8_Final.htm Indeed, I darken and lighten and build form in just about every photo I work on now. If you look at paintings by the masters you'll see how much emphasis they devoted to constructing form. Also, (this may fall under the rubric of personal esthetic) I think I might have worked my curves so that I have just a glimmer of close to pure white; a couple pixels here and there at around 245-250 just to give it a sparkle. That said, I'm always amazed at photographers who can successfully pull off their prints printing flat. Or dark, like Roy DeCarava. Carl Sander Socolow ----- Original Message ----- From: Christopher Williams To: Leica Users Group ; leica@xxxxxxxxxxxxx Sent: Tuesday, June 13, 2006 10:51 PM Subject: New Orleans wedding I know you missed them, and they are back! Weddings every weekend in front of your naked steaming eyes...... http://gallery.leica-users.org/album435 Souped with a special Neopan 1600. Chris