Hi Martha
This is so interesting! I can certainly help with the French and
rhythms/inflections analysis side. I am fine and just getting used to life
'inside'. Hope you are ok - strange times.
Take care
Sue
Dr Sue Miller
Reader in Music
Department of Music and Sound / Leeds School of Arts
Leeds Beckett University, 212 Caedmon Hall,
Headingley Campus, Leeds LS6 3QW
Email: S.M.Miller@xxxxxxxxxxxxxxxxxx
Tel: 0113 812 1840
[Leeds Beckett University]<http://www.leedsbeckett.ac.uk/aad>
________________________________
From: iaspm_19c-bounce@xxxxxxxxxxxxx <iaspm_19c-bounce@xxxxxxxxxxxxx> on behalf
of Martha Tupinambá de Ulhoa <mulhoa@xxxxxxxxx>
Sent: 02 April 2020 10:47
To: iaspm_19c@xxxxxxxxxxxxx <iaspm_19c@xxxxxxxxxxxxx>
Subject: [iaspm_19c] Musical prosody - French The case of Frou frou
Caution External Mail: Do not click any links or open any attachments unless
you trust the sender and know that the content is safe.
Dear all,
Is there among our group any French speaker interested in musical prosody?
My research has led me to study some of the late 19th century popular songs
that were recorded in the early 20th century.
There is very little left of this material, especially because of the fragility
of the discs.
I came across a very interesting piece -- a Brazilian version of Frou-frou
recorded in 1902!
(https://youtu.be/fDTTryiKytM<https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fyoutu.be%2FfDTTryiKytM&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632089111&sdata=Pb%2BX7DykTkZY5kP9%2BLw6lQynPSLGjkfcQcblANHR5S0%3D&reserved=0>)
The chanson Frou-frou was composed in 1897 for the revue Paris qui marche (
https://fr.wikipedia.org/wiki/Frou-frou_(chanson)<https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Ffr.wikipedia.org%2Fwiki%2FFrou-frou_(chanson)&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632089111&sdata=ADao%2FKN6hWb6kn4JdTTQwnB%2BLqjWyj1%2BeSoLJZfwIuE%3D&reserved=0>
There is a score, and several more recent versions on the internet.
https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0001743400<https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fbibliotheques-specialisees.paris.fr%2Fark%3A%2F73873%2Fpf0001743400&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632099108&sdata=mQrotRy5MC37rrKK0MRd9Ncvaz%2BMqrCnFhkLqRXY%2F3E%3D&reserved=0>
https://youtu.be/9Qa9jn-aCz4<https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fyoutu.be%2F9Qa9jn-aCz4&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632099108&sdata=n9SEeJpADs9NhBa9qr%2FkQiE8Vumokdfx12k0%2FmTSd7w%3D&reserved=0>
The Brazilian track is in bad condition in terms of timbre, as so many female
recordings of the time, but one can still get a good sense of the microrhythm.
It would be fun to research the topic of the language rhythmic impact, in this
case comparing the French and the Portuguese versions. Anyone there?
Cheers, and hoping everyone is at home preventing the Covid-19 spreading...
Martha Tupinambá de Ulhôa
PPGM - UNIRIO
+55 21 2287-3775 / celular/WhatsApp: +55 21 99993-3775
http://lattes.cnpq.br/5378800627543781<https://eur02.safelinks.protection.outlook.com/?url=http%3A%2F%2Flattes.cnpq.br%2F5378800627543781&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632099108&sdata=FTs25jnsIRIZjdPE40y7JS9hOBu0C4XPdJQ9m4L1wZ4%3D&reserved=0>
https://unirio.academia.edu/MarthaUlhoa/Papers<https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Funirio.academia.edu%2FMarthaUlhoa%2FPapers&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632109096&sdata=bkJ6w2GfaXfjasKCgpxstvZRYixfDbz5L%2BcAtd79H2I%3D&reserved=0>
https://www.researchgate.net/profile/Martha_Ulhoa/publications<https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.researchgate.net%2Fprofile%2FMartha_Ulhoa%2Fpublications&data=02%7C01%7Cs.m.miller%40leedsbeckett.ac.uk%7C060da5e2918247489c1e08d7d6eae337%7Cd79a81124fbe417aa112cd0fb490d85c%7C0%7C1%7C637214176632109096&sdata=IUFqjpgzod5ewdqIugH6QnriCx%2BLdA%2FqKId7zH9v9is%3D&reserved=0>
________________________________
(Pt-BR) Antes de imprimir, pense pense em seu compromisso com o Meio Ambiente.
Nós preservamos o Meio Ambiente! E você? A UNIRIO não envia e-mails que
solicitem senhas, dados bancários, informações pessoais, cadastramento ou
recadastramento em sistemas.
(EN) Before printing, think about your commitment to the environment. We
preserve the environment! And you? UNIRIO does not send emails requesting
passwords, banking information, personal information, registration or
re-registration systems.
To view the terms under which this email is distributed, please go to:-
http://leedsbeckett.ac.uk/disclaimer/email/
