[gmpi] Re: 3.17 Instruments
- From: "gogins@xxxxxxxxxxxx" <gogins@xxxxxxxxxxxx>
- To: gmpi@xxxxxxxxxxxxx
- Date: Mon, 16 Aug 2004 10:41:23 -0400
It does. Sorry I didn't remember that discussion.
Original Message:
-----------------
From: Tim Hockin thockin@xxxxxxxxxx
Date: Mon, 16 Aug 2004 07:12:42 -0700
To: gmpi@xxxxxxxxxxxxx
Subject: [gmpi] Re: 3.17 Instruments
On Mon, Aug 16, 2004 at 02:52:07PM +0100, Steve Harris wrote:
> On Mon, Aug 16, 2004 at 09:19:20 -0400, gogins@xxxxxxxxxxxx wrote:
> > One use case would be simulating a violin stroke, where the player
begins
> > to bow on one stop, then lifts a finger to another stop, so that the
pitch
> > changes while the loudness and envelope remain the same (mostly).
Legato,
> > yes. But there are many kinds of legato, and more can be invented with
> > software.
>
> I think this should be allready covered. My reading was that the pitch of
> the note should be a control, and it shouldn't (neccesarily) be tied to
> note start. Maybe this requires an explicit comment one way or the other?
Ahh yes. This exact case was considered long ago. If pitch is a
continuous control that is active per-voice, then you can change a notes
pitch at any time. No extra 'tie' abstraction needed,
Does that give you what you want?
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