[gmpi] Re: 3.15 MIDI
- From: "gogins@xxxxxxxxxxxx" <gogins@xxxxxxxxxxxx>
- To: gmpi@xxxxxxxxxxxxx
- Date: Mon, 14 Jun 2004 15:45:25 -0400
As I understand it, the note ID is the unique ID of one instance of a note,
without regard for any musical parameters. I play middle C and receive note
ID x from GMPI. I hit that same key again, and get note ID x + 1. My
synthesizer can therefore assign two voices to play this one note, and each
voice can be controlled separately; I can send an up bend controller to
note ID 1 and a down bend controller to note ID 2.
Original Message:
-----------------
From: Chris Grigg gmpi-public@xxxxxxxxxxxxxx
Date: Mon, 14 Jun 2004 11:56:44 -0700
To: gmpi@xxxxxxxxxxxxx
Subject: [gmpi] Re: 3.15 MIDI
> > I meant, how do you do the suggested GMPI-native note-id stuff in
>> this context. I want to see whether the idea of stapling a bunch of
>> musical events to a target note process holds up. Show me how the
>> incoming MIDI event stream is translated to the GMPI-level addressing.
>>
>
>Note ids should be abstract, they shouldn't have any reference to MIDI in
any
>way, in my opinion.
>
>Frederic
OK, so what are you going to do your performance on if not a MIDI
controller (kbd/perc/wind/etc.)? I mean, if GMPI is going to demand
that a velocity parameter is a separate message from a note-on, then
the host is going to have to re-associate the MIDI note-on message's
velocity with the right GMPI note. From the discussion so far, it
seems the GMPI note-on message and the GMPI velocity message would
have to somehow use the same note-id value (not the same as MIDI note
number), but I don't understand how the note-id numbers wind up the
same. I'm just asking for someone, anyone to show me in detail that
this would really work.
-- Chris G.
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