[geocentrism] Re: For Martin

  • From: "Steven Jones" <midclyth@xxxxxxxxxxx>
  • To: geocentrism@xxxxxxxxxxxxx
  • Date: Sat, 22 Sep 2007 17:54:00 +0100

Dear Martin,

Thank you for the excellent reply, very nice. You have informed me of the cochlear spiral in the inner ear before thanks, that is fascinating too. I shall have to write some pieces with our cats and dogs ears in mind, and see the results!...

I shall keep this short for now, just out of interest, surely music is an obvious spiritual form of expression that is not easily explained by evolution. What do they say, why should we appreciate music?

"Music is a higher revelation than all wisdom and philosophy." Ludwig van Beethoven.

And actual talent and appreciation is without doubt worse than ever before, I mean how many times as Eminem outsold Bach? As we too well know, music can be used for both good and evil, like everything.

Music should also know it's place:

"When Jesus entered the ruler's house and saw the flute players and the noisy crowd, 24he said, "Go away. The girl is not dead but asleep." But they laughed at him." Matthew 9:23-24 (New International Version)

Kind Regards,


On Wed, 19 Sep 2007 21:28:56 +0100, Martin G. Selbrede <mselbrede@xxxxxxxxxxxxx> wrote:

Dear Steven,

Well, I can say that my piano has drifted off of Western equal
temperament, so compositions for it that I wrote using Western
tonality have jumped the track into the world of microtonality.  I do
plan, however, to remedy this with a nice tuning. The biggest barrier
to moving toward, say, the 17-degree scale is I'm not sufficiently
motivated to learn Sanskrit.

However (in the interest of full disclosure), my Opus 16 (which was,
in fact, performed publicly) did include a brief section that would
have made Penderecki proud. I was aware of his works, particularly
Threnody for the Victims of Hiroshima, and so in my composition the
string orchestra indulges in such non-Western dissonance for nearly a
full minute (this occurring in a piece that lasts about 38 minutes in
concert performance). And that's about it, folks.

I could have sworn that I had mentioned to you the research conducted
by Ernest Ansermet about the geometry of the cochlear spiral in the
inner ear -- that its curvature is based on the log of 12.
Ansermet's conclusion was that the human ear naturally divides an
octave into twelve parts.  Since the cochlear spirals of other
mammals are curved differently, such creatures may discern such music
as alien gibberish. If one were to truly test animals for musical
aptitude, the scale should be subdivided based on a specific animal's
cochlear spiral geometry and music then created within that
customized tonal architecture.  If the animal responds to that, and
not to music based on other scale divisions, we'd have some empirical
support for Ansermet's theory that would be nearly unassailable.


On Sep 19, 2007, at 3:08 PM, Steven Jones wrote:

Dear Martin,

just wondering if you're interested in other tonalities besides
western and whether you've ever explored any of them in your own

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Martin G. Selbrede
Chief Scientist
Uni-Pixel Displays, Inc.
8708 Technology Forest Place, Suite 100
The Woodlands, TX 77381
281-825-4500 main line  (281) 825-4507 direct line  (281) 825-4599
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mselbrede@xxxxxxxxxxxxx / martin.selbrede@xxxxxxxxxxxx

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