[ebooktalk] Re: Music and the Monarchy

  • From: "Steven Bingham" <steven.bingham1@xxxxxxxxxxxx>
  • To: <ebooktalk@xxxxxxxxxxxxx>
  • Date: Thu, 4 Jul 2013 15:38:03 +0100

No, I don't think they said but I've put my wife on the case and when she
comes up with something I'll let you know.

Steve

-----Original Message-----
From: ebooktalk-bounce@xxxxxxxxxxxxx [mailto:ebooktalk-bounce@xxxxxxxxxxxxx]
On Behalf Of Tar Barrels
Sent: 04 July 2013 13:31
To: ebooktalk@xxxxxxxxxxxxx
Subject: [ebooktalk] Re: Music and the Monarchy

Steve, did you happen to catch when it starts?
June 

-----Original Message-----
From: ebooktalk-bounce@xxxxxxxxxxxxx [mailto:ebooktalk-bounce@xxxxxxxxxxxxx]
On Behalf Of Steven Bingham
Sent: 04 July 2013 12:53
To: ebooktalk@xxxxxxxxxxxxx
Subject: [ebooktalk] Re: Music and the Monarchy

David Starkey was interviewed on radio 2 yesterday afternoon and I thought
then that it sounded like a fascinating series.

Another one for the recorder.

Steve

-----Original Message-----
From: ebooktalk-bounce@xxxxxxxxxxxxx [mailto:ebooktalk-bounce@xxxxxxxxxxxxx]
On Behalf Of June Horne
Sent: 04 July 2013 11:26
To: ebooktalk@xxxxxxxxxxxxx
Subject: [ebooktalk] Music and the Monarchy

Thought some of you might be interested in this new audio book to complement
a forthcoming tv series with david Starkey. Copied from Audible website. 
June

Tying-in with a four-part BBC TV series presented by David Starkey, this
audiobook offers a new history of Britain through music, showing how the
Royal Court shaped the musical landscape of Britain. 

Many of our current musical symbols of nationhood - from the Last Night of
the Proms to football terraces erupting in song - have their origins in the
way the Crown deliberately shaped the national soundtrack. 

This is a story of song and power, exploring how Henry VIII subverted the
Reformation he started by protecting a sacred choral tradition he loved; how
Henry Purcell's music was designed to help make Charles II more palatable to
his subjects; how opera in Georgian London is a story of political
infighting between the King and his son; and how the coronation of Elizabeth
II, and the music of Vaughan Williams, represented the last dramatic moment
of church and state coming together in all its grandeur.



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