Re: DRE: CTS community mail

  • From: Di Lhong <geosaurus8@xxxxxxxxx>
  • To: cpt-fgc@xxxxxxxxxxxxx
  • Date: Thu, 12 Feb 2015 11:06:39 +0200

I think they meant the last chapter revolving around mishimas killing each
other. Hopefully the future of tekken have a more interesting story...it's
been, dad kills son, son kills dad, dad kills son again, son kills dad
again, etc

On Thu, Feb 12, 2015 at 11:04 AM, Wynand-Ben <paashaasggx@xxxxxxxxxxx>
wrote:

> "Last chapter"
>
> lol
>
> Suuuuuure
>
> :P
>
> ------------------------------
> Date: Thu, 12 Feb 2015 10:56:13 +0200
> Subject: Re: DRE: CTS community mail
> From: geosaurus8@xxxxxxxxx
> To: cpt-fgc@xxxxxxxxxxxxx
>
>
> Nothing yet. Would be funny that Shaheen is one of Hei's bastard son.
> Apparently he have wavedash like mechanics according to Famitsu.
>
> Same goes for Claudio, Katarina, L.Chloe, etc. All Hei's bastard sons and
> daughters. Since this is suppose to be the final chapter about the mishima
> lolz.
>
> On Thu, Feb 12, 2015 at 10:52 AM, Donaldson, Alasdair <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  Has the guy got a backstory yet?
>
>
>
> Actually are the character’s backstories known? I didn’t really check the
> official T7 page, so didn’t see.
>
>
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Di Lhong
> *Sent:* 12 February 2015 10:44 AM
>
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
>
> I like this one lolz:
>
>
> http://i2.wp.com/shoryuken.com/wp-content/uploads/2015/02/tekken7-shaheen-famitsu-3.jpg
>
> T7 suppose to hit arcades on the 18th of Feb...not looking good for the
> rest of the cast...
>
>
>
> On Thu, Feb 12, 2015 at 10:41 AM, Donaldson, Alasdair <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  Doesn’t actually show much. Need a vid with his gameplay in it.
>
>
>
> Wait, when does T7 hit arcades?
>
>
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Di Lhong
> *Sent:* 12 February 2015 10:34 AM
> *To:* cpt-fgc@xxxxxxxxxxxxx
>
>
> *Subject:* Re: DRE: CTS community mail
>
>
>
> English...
>
>
>
> http://www.avoidingthepuddle.com/news/2015/2/11/tekken-7-new-gameplay-images-of-shaheen.html
>
>
>
> On Thu, Feb 12, 2015 at 10:31 AM, Di Lhong <geosaurus8@xxxxxxxxx> wrote:
>
>  On newer news on T7...first few screenshot of Shaheen.
>
>
>
> http://fightclub.in.th/tekken7-screenshot-shaheen/
>
>
>
> He looks cool so far.
>
>
>
> On Thu, Feb 12, 2015 at 8:47 AM, richard moorcroft <
> greattekkenmaster@xxxxxxxxx> wrote:
>
> You are just saying that to keep me the hell away from you,, you are
> scared MR.LB,, yes I know that
>
> On Feb 12, 2015 8:41 AM, "lindsey kiviets" <lindseyak@xxxxxxxxxxx> wrote:
>
>  no you don't want that.
>
> il bop you
>
>  ------------------------------
>
> Date: Wed, 11 Feb 2015 22:30:33 -0800
> Subject: RE: DRE: CTS community mail
> From: greattekkenmaster@xxxxxxxxx
> To: cpt-fgc@xxxxxxxxxxxxx
> I hope you will be playing TEKKEN again,, cause then I get to have some fun
>
> On Feb 12, 2015 8:29 AM, "lindsey kiviets" <lindseyak@xxxxxxxxxxx> wrote:
>
>  ey man I didn't pay much attention to it before. initially I saw dash
> jab combos but now during the highlight reel I saw kaz doing normal t6
> combos.
>
>
>
>  ------------------------------
>
> Date: Wed, 11 Feb 2015 22:28:04 -0800
> Subject: RE: DRE: CTS community mail
> From: greattekkenmaster@xxxxxxxxx
> To: cpt-fgc@xxxxxxxxxxxxx
> LB doesn't need to watch anything,, he just says stuff and sometimes it
> makes sense for some odd reason
>
> On Feb 12, 2015 7:46 AM, "Donaldson, Alasdair" <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  Have you seriously not watched any T7 footage before now, LB?
> What were you basing your comments on?
>
> Had no power from 18h00 until 22h00 last night.
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Stephen Scheidel
> *Sent:* 12 February 2015 6:40 AM
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
> We know.
>
>
>
> On 12 February 2015 at 06:15, lindsey kiviets <lindseyak@xxxxxxxxxxx>
> wrote:
>
>
>
> http://www.eventhubs.com/news/2015/feb/11/pre-release-tekken-7-already-esports-now-high-level-combos-and-highlights-tekken-crash-returns-team-tournament/
>
>
> looks like the bound mechanic isnt entirely dead. you can still do
> followups after, like in t6.
>  ------------------------------
>
> Date: Wed, 11 Feb 2015 21:40:11 +0200
> Subject: Re: DRE: CTS community mail
> From: nicmuir@xxxxxxxxx
> To: cpt-fgc@xxxxxxxxxxxxx
>
>
> That love glove.
> Giving a friend a hand.
> Heat extend!
>
> On 11 Feb 2015 20:52, "sameegh jardine" <sameegh@xxxxxxxxx> wrote:
>
>  Nic plz (stop).
>
>
>
> On Wed, Feb 11, 2015 at 8:47 PM, Nicholas Robertson-Muir <
> nicmuir@xxxxxxxxx> wrote:
>
> Potempkin rams his fist up, then you get the love.  Then the explosion.
> Now you know why there's a heart on his hand.
> Hehe.
>
> On 11 Feb 2015 20:43, "euraima tobias" <euraima@xxxxxxxxx> wrote:
>
> Tsek, potemkin needs a Ramming
>
> On 11 Feb 2015 6:57 PM, "Nicholas Robertson-Muir" <nicmuir@xxxxxxxxx>
> wrote:
>
> Odd, I was thinking something similar.
> It also had something to do with Khan's performance, and "plugging in"
> but it involved his GF.
> I think he's feeling something for sure, but "under the weather"?  Ya
> right.
> Potempkin's gittin your ass Saturday, right Khan?
>
> On 11 Feb 2015 18:19, "Stephen Scheidel" <gieroadsteve@xxxxxxxxx> wrote:
>
>  The loadshedding is affecting Khans performance.
>
> He needs to be plugged in to recharge.
>
>
>
> On 11 February 2015 at 18:14, Ryan Williams <ryan820509@xxxxxxxxx> wrote:
>
> No prob bro, hope you feel better :)
>
> On 11 Feb 2015 17:25, "euraima tobias" <euraima@xxxxxxxxx> wrote:
>
> Sorry guys, was a bit under the weather so I've been sleeping all day.
> Probably too late now, if guys are keen for tomorrow then we can else next
> week wed for sure.
>
> On 11 Feb 2015 2:54 PM, "Ryan Williams" <ryan820509@xxxxxxxxx> wrote:
>
> @Khany, is there a sesh tonight?
>
> On 11 Feb 2015 13:18, "Ilitirit Sama" <ilitirit@xxxxxxxxx> wrote:
>
>  I read the first episode of James Joyce's Ulysses before my own stream
> of consciousness took over and carried me off to a video game.
>
>
>
> On Wed, Feb 11, 2015 at 1:10 PM, Donaldson, Alasdair <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  Hmmm. I tend to prefer stream of consciousness to be limited to books.
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Ilitirit Sama
> *Sent:* 11 February 2015 12:47 PM
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
> Well, it's more the surrealism combined with the themes.
>
> He is probably best known for "Zerkalo" AKA "The Mirror".  Here's a
> description from Wikipedia:
>
> *Mirror* unfolds as an organic flow of memories recalled by a dying poet
> (based on Tarkovsky's own father Arseny who in reality would outlive his
> filmmaker son by three years) of key moments in his life both with respect
> to his immediate family as well as that of the Russian people as a whole
> during the tumultuous events of the twentieth century. The film combines
> contemporary scenes with childhood memories, dreams, and newsreel footage.
> The cinematography slips unpredictably from color to black-and-white to
> Sepia <http://en.wikipedia.org/wiki/Sepia_tone> then back again to color.
> The loose flow of visually oneiric images
> <http://en.wikipedia.org/wiki/Oneiric_%28film_theory%29> has been
> compared to stream of consciousness
> <http://en.wikipedia.org/wiki/Stream_of_consciousness_writing> technique
> in literature. The unconventional non-linear structure of the film combined
> with its rich - often symbolic - imagery lends the film an unusual power of
> expression that has found favour with Russians for whom it remains their
> most beloved of Tarkovsky's films.[3]
> <http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29#cite_note-3>
>
> http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29
>
> He also did Solyaris (based on the same story as the George Clooney
> movie), and Stalker (based on the story from the FPS game).
>
>
>
> Yep, that was TV4.
>
> [image: Image removed by sender.
> http://www.vetseun.co.za/anarkans/logo/tv4.jpg]
>
>
>
> On Wed, Feb 11, 2015 at 12:35 PM, Donaldson, Alasdair <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  Difficult themes? If it’s like the Russian novels, it’s a hit and miss
> situation even with their good stuff. I might check out some of the
> Tarkovski stuff once I have net access back.
>
> Yeah, I remember TV4. Was that the one with the star in the 4? Then TSS?
> CCV?
>
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Ilitirit Sama
> *Sent:* 11 February 2015 11:47 AM
>
>
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
>
> Enter the Void is meh...  Could have been a 100 times better if they
> didn't spend ages trying to get the viewer to understand the themes.  Good
> if you're on LSD I guess.
>
> Tarkovksy's movies are challenging, mostly because they are in Russian,
> are often very surreal, and deal with difficult themes.  Not easy viewing.
>
> The Massive Attack video is Unfinished Sympathy.  The one where they
> follow the singer (Shara Nelson) around the city.  They used to play that
> and Safe From Harm on Zero Hour Zone on TV4 (who remembers that?).  I
> thought you were talking about a movie called Massive Attack hehe.
>
> I liked Gravity.
>
>
>
> On Wed, Feb 11, 2015 at 11:34 AM, Donaldson, Alasdair <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  I’ve got Enter the Void lying around, but haven’t got around to watching
> it. Same with Under the Skin. No idea who Tarkovksy is. Just checked IMDB.
> Nope. Are his films worth watching? I mean from a non-technical perspective.
>
> First time I saw the Massive Attack video, I didn’t realise that it was
> all one shot. I just assumed they’d cut it. I forget what the song was
> called, but it was more than 5min long.
> Snake Eyes was an okay film. It wasn’t bad or good… actually can’t
> remember much about the film.
>
> I don’t know if I can be arsed to watch Gravity. Maybe I’ll put it on
> sometime while I’m reading. The only thing that I’ve heard about Gravity is
> that it is a very pretty film. No one seems to care about the story or
> script. That seems like a bit of a fail to me.
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Ilitirit Sama
> *Sent:* 11 February 2015 11:15 AM
>
>
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
>
> I haven't seen either, but last year there was Gravity which had a 17
> minute opening shot.  Under the Skin had shots the seem to be influenced by
> filmmakers like Tarkovksy.  The Protector has a 4 minute long shot (the
> stair case fight scene).  Enter the Void is composed of long shots (about 1
> to 2 minutes in length), joined together by psychedelic visuals.
>
> In The Sacrifice, Tarkovsky's crew built a special house meant to be
> burned down in a 6 minute long shot.  Toward the end of the shot the camera
> jammed and the film was ruined.  It took them two weeks to refilm it.
>
> https://www.youtube.com/watch?v=Mr5cYiRPf3E
>
>
>
> On Wed, Feb 11, 2015 at 10:55 AM, Donaldson, Alasdair <
> alasdair.donaldson@xxxxxxxxxx> wrote:
>
>  It opened at Cinema Nouveau up here.
> Long scenes are cool. Barring Massive Attack, nothing comes to mind
> though. Oh, wasn’t the first 10min of Snake Eyes a single shot?
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *Ilitirit Sama
> *Sent:* 11 February 2015 10:46 AM
>
>
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
>
> Low budget?  Yes.  And it only opened in 4 cinemas, raking in less than
> $500k.  But it's probably best considered Arthouse, not B movie.
>
> You can't not notice the camera work in Birdman.  The entire movie,
> barring 1 or 2 scenes in the beginning is shot in one long continuous
> sequence.  It's obviously an illusion but it's still great to watch.  There
> are scenes where they film in front of a mirror and you can't see the
> camera.  There's a seen where the camera follows Michael Keaton through a
> busy square in NYC.  And a great scene where the camera glides from the
> theatre rafters to the stage below.
>
>
>
> On Wed, Feb 11, 2015 at 7:32 AM, lindsey kiviets <lindseyak@xxxxxxxxxxx>
> wrote:
>
>  for best gimmick in a film
>
> soim guessing if birdman was shot in 30 days , that would make it a low
> budget B movie?
>
>  ------------------------------
>
> From: alasdair.donaldson@xxxxxxxxxx
> To: cpt-fgc@xxxxxxxxxxxxx
> Subject: RE: DRE: CTS community mail
> Date: Wed, 11 Feb 2015 05:29:06 +0000
>
>
>
> Then I suppose they’d be guaranteed the Oscar.
>
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx]
> *On Behalf Of *lindsey kiviets
> *Sent:* 11 February 2015 7:24 AM
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* RE: DRE: CTS community mail
>
>
>
> boyhood - what if the kid died during that 12 years?
>
> "rock is overpowered, paper is fine" - scissors
>
>  ------------------------------
>
> From: alasdair.donaldson@xxxxxxxxxx
> To: cpt-fgc@xxxxxxxxxxxxx
> Subject: RE: DRE: CTS community mail
> Date: Wed, 11 Feb 2015 05:09:25 +0000
>
> I tend to figure that the camera work is only something you notice if it’s
> done badly. I can’t recall when last I noticed good camera work in a film.
> Same with most of the things, I guess. It’s only when the music is jarring
> and detracts from the scene that I actually notice it.
>
> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:cpt-fgc-bounce@xxxxxxxxxxxxx
> <cpt-fgc-bounce@xxxxxxxxxxxxx>] *On Behalf Of *Ilitirit Sama
> *Sent:* 11 February 2015 12:50 AM
> *To:* cpt-fgc@xxxxxxxxxxxxx
> *Subject:* Re: DRE: CTS community mail
>
>
> Sheesh... apparently the movie was shot in only 30 days.
>
>
>
> On Wed, Feb 11, 2015 at 12:48 AM, Ilitirit Sama <ilitirit@xxxxxxxxx>
> wrote:
>
>
>   Birdman's camera work is amazing.  I haven't been that technically
> impressed by a movie in a long itme.  All the while I kept thinking "I
> can't imagine how hard it must have been to film this".  Fantastic
> cinematography.
>
>
>   ------------------------------
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>
> The information in this e-mail is confidential and may be legally
> privileged. It is intended solely for the addressee. Access to this e-mail
> by anyone else is unauthorized. If you have received this communication in
> error, please address with the subject heading "Received in error," send to
> the original sender, then delete the e-mail and destroy any copies of it.
> If you are not the intended recipient, any disclosure, copying,
> distribution or any action taken or omitted to be taken in reliance on it,
> is prohibited and may be unlawful. Any opinions or advice contained in this
> e-mail are subject to the terms and conditions expressed in the governing
> KPMG client engagement letter. Opinions, conclusions and other information
> in this e-mail and any attachments that do not relate to the official
> business of the firm are neither given nor endorsed by it.
>
> KPMG cannot guarantee that e-mail communications are secure or error-free,
> as information could be intercepted, corrupted, amended, lost, destroyed,
> arrive late or incomplete, or contain viruses.
>
> This email is being sent out by KPMG International Cooperative ("KPMG
> International") on behalf of the local KPMG member firm providing services
> to you. KPMG International Cooperative ("KPMG International") is a Swiss
> entity that serves as a coordinating entity for a network of independent
> firms operating under the KPMG name. KPMG International provides no
> services to clients. Each member firm of KPMG International is a legally
> distinct and separate entity and each describes itself as such. Information
> about the structure and jurisdiction of your local KPMG member firm can be
> obtained from your KPMG representative.
>
> This footnote also confirms that this e-mail message has been swept by
> AntiVirus software.
>
>
>
>
>     ------------------------------
>
> The information in this e-mail is confidential and may be legally
> privileged. It is intended solely for the addressee. Access to this e-mail
> by anyone else is unauthorized. If you have received this communication in
> error, please address with the subject heading "Received in error," send to
> the original sender, then delete the e-mail and destroy any copies of it.
> If you are not the intended recipient, any disclosure, copying,
> distribution or any action taken or omitted to be taken in reliance on it,
> is prohibited and may be unlawful. Any opinions or advice contained in this
> e-mail are subject to the terms and conditions expressed in the governing
> KPMG client engagement letter. Opinions, conclusions and other information
> in this e-mail and any attachments that do not relate to the official
> business of the firm are neither given nor endorsed by it.
>
> KPMG cannot guarantee that e-mail communications are secure or error-free,
> as information could be intercepted, corrupted, amended, lost, destroyed,
> arrive late or incomplete, or contain viruses.
>
> This email is being sent out by KPMG International Cooperative ("KPMG
> International") on behalf of the local KPMG member firm providing services
> to you. KPMG International Cooperative ("KPMG International") is a Swiss
> entity that serves as a coordinating entity for a network of independent
> firms operating under the KPMG name. KPMG International provides no
> services to clients. Each member firm of KPMG International is a legally
> distinct and separate entity and each describes itself as such. Information
> about the structure and jurisdiction of your local KPMG member firm can be
> obtained from your KPMG representative.
>
> This footnote also confirms that this e-mail message has been swept by
> AntiVirus software.
>
>
>  ------------------------------
> The information in this e-mail is confidential and may be legally
> privileged. It is intended solely for the addressee. Access to this e-mail
> by anyone else is unauthorized. If you have received this communication in
> error, please address with the subject heading "Received in error," send to
> the original sender, then delete the e-mail and destroy any copies of it.
> If you are not the intended recipient, any disclosure, copying,
> distribution or any action taken or omitted to be taken in reliance on it,
> is prohibited and may be unlawful. Any opinions or advice contained in this
> e-mail are subject to the terms and conditions expressed in the governing
> KPMG client engagement letter. Opinions, conclusions and other information
> in this e-mail and any attachments that do not relate to the official
> business of the firm are neither given nor endorsed by it.
>
> KPMG cannot guarantee that e-mail communications are secure or error-free,
> as information could be intercepted, corrupted, amended, lost, destroyed,
> arrive late or incomplete, or contain viruses.
>
> This email is being sent out by KPMG International Cooperative ("KPMG
> International") on behalf of the local KPMG member firm providing services
> to you. KPMG International Cooperative ("KPMG International") is a Swiss
> entity that serves as a coordinating entity for a network of independent
> firms operating under the KPMG name. KPMG International provides no
> services to clients. Each member firm of KPMG International is a legally
> distinct and separate entity and each describes itself as such. Information
> about the structure and jurisdiction of your local KPMG member firm can be
> obtained from your KPMG representative.
>
> This footnote also confirms that this e-mail message has been swept by
> AntiVirus software.
>
>
>

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