Da filf On 11 February 2015 at 20:52, sameegh jardine <sameegh@xxxxxxxxx> wrote: > Nic plz (stop). > > On Wed, Feb 11, 2015 at 8:47 PM, Nicholas Robertson-Muir < > nicmuir@xxxxxxxxx> wrote: > >> Potempkin rams his fist up, then you get the love. Then the explosion. >> Now you know why there's a heart on his hand. >> >> Hehe. >> On 11 Feb 2015 20:43, "euraima tobias" <euraima@xxxxxxxxx> wrote: >> >>> Tsek, potemkin needs a Ramming >>> On 11 Feb 2015 6:57 PM, "Nicholas Robertson-Muir" <nicmuir@xxxxxxxxx> >>> wrote: >>> >>>> Odd, I was thinking something similar. >>>> It also had something to do with Khan's performance, and "plugging in" >>>> but it involved his GF. >>>> >>>> I think he's feeling something for sure, but "under the weather"? Ya >>>> right. >>>> Potempkin's gittin your ass Saturday, right Khan? >>>> On 11 Feb 2015 18:19, "Stephen Scheidel" <gieroadsteve@xxxxxxxxx> >>>> wrote: >>>> >>>>> The loadshedding is affecting Khans performance. >>>>> He needs to be plugged in to recharge. >>>>> >>>>> On 11 February 2015 at 18:14, Ryan Williams <ryan820509@xxxxxxxxx> >>>>> wrote: >>>>> >>>>>> No prob bro, hope you feel better :) >>>>>> On 11 Feb 2015 17:25, "euraima tobias" <euraima@xxxxxxxxx> wrote: >>>>>> >>>>>>> Sorry guys, was a bit under the weather so I've been sleeping all >>>>>>> day. Probably too late now, if guys are keen for tomorrow then we can >>>>>>> else >>>>>>> next week wed for sure. >>>>>>> On 11 Feb 2015 2:54 PM, "Ryan Williams" <ryan820509@xxxxxxxxx> >>>>>>> wrote: >>>>>>> >>>>>>>> @Khany, is there a sesh tonight? >>>>>>>> On 11 Feb 2015 13:18, "Ilitirit Sama" <ilitirit@xxxxxxxxx> wrote: >>>>>>>> >>>>>>>>> I read the first episode of James Joyce's Ulysses before my own >>>>>>>>> stream of consciousness took over and carried me off to a video game. >>>>>>>>> >>>>>>>>> On Wed, Feb 11, 2015 at 1:10 PM, Donaldson, Alasdair < >>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>>>>>> >>>>>>>>>> Hmmm. I tend to prefer stream of consciousness to be limited to >>>>>>>>>> books. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>>>>>>> *Sent:* 11 February 2015 12:47 PM >>>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> *Subject:* Re: DRE: CTS community mail >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Well, it's more the surrealism combined with the themes. >>>>>>>>>> >>>>>>>>>> He is probably best known for "Zerkalo" AKA "The Mirror". Here's >>>>>>>>>> a description from Wikipedia: >>>>>>>>>> >>>>>>>>>> *Mirror* unfolds as an organic flow of memories recalled by a >>>>>>>>>> dying poet (based on Tarkovsky's own father Arseny who in reality >>>>>>>>>> would >>>>>>>>>> outlive his filmmaker son by three years) of key moments in his life >>>>>>>>>> both >>>>>>>>>> with respect to his immediate family as well as that of the Russian >>>>>>>>>> people >>>>>>>>>> as a whole during the tumultuous events of the twentieth century. >>>>>>>>>> The film >>>>>>>>>> combines contemporary scenes with childhood memories, dreams, and >>>>>>>>>> newsreel >>>>>>>>>> footage. The cinematography slips unpredictably from color to >>>>>>>>>> black-and-white to Sepia >>>>>>>>>> <http://en.wikipedia.org/wiki/Sepia_tone> then back again to >>>>>>>>>> color. The loose flow of visually oneiric images >>>>>>>>>> <http://en.wikipedia.org/wiki/Oneiric_%28film_theory%29> has >>>>>>>>>> been compared to stream of consciousness >>>>>>>>>> <http://en.wikipedia.org/wiki/Stream_of_consciousness_writing> >>>>>>>>>> technique in literature. The unconventional non-linear structure of >>>>>>>>>> the >>>>>>>>>> film combined with its rich - often symbolic - imagery lends the >>>>>>>>>> film an >>>>>>>>>> unusual power of expression that has found favour with Russians for >>>>>>>>>> whom it >>>>>>>>>> remains their most beloved of Tarkovsky's films.[3] >>>>>>>>>> <http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29#cite_note-3> >>>>>>>>>> >>>>>>>>>> http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29 >>>>>>>>>> >>>>>>>>>> He also did Solyaris (based on the same story as the George >>>>>>>>>> Clooney movie), and Stalker (based on the story from the FPS game). >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Yep, that was TV4. >>>>>>>>>> >>>>>>>>>> [image: Image removed by sender. >>>>>>>>>> http://www.vetseun.co.za/anarkans/logo/tv4.jpg] >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> On Wed, Feb 11, 2015 at 12:35 PM, Donaldson, Alasdair < >>>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>>>>>>> >>>>>>>>>> Difficult themes? If it’s like the Russian novels, it’s a hit >>>>>>>>>> and miss situation even with their good stuff. I might check out >>>>>>>>>> some of >>>>>>>>>> the Tarkovski stuff once I have net access back. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Yeah, I remember TV4. Was that the one with the star in the 4? >>>>>>>>>> Then TSS? CCV? >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>>>>>>> *Sent:* 11 February 2015 11:47 AM >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> *Subject:* Re: DRE: CTS community mail >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Enter the Void is meh... Could have been a 100 times better if >>>>>>>>>> they didn't spend ages trying to get the viewer to understand the >>>>>>>>>> themes. >>>>>>>>>> Good if you're on LSD I guess. >>>>>>>>>> >>>>>>>>>> Tarkovksy's movies are challenging, mostly because they are in >>>>>>>>>> Russian, are often very surreal, and deal with difficult themes. >>>>>>>>>> Not easy >>>>>>>>>> viewing. >>>>>>>>>> >>>>>>>>>> The Massive Attack video is Unfinished Sympathy. The one where >>>>>>>>>> they follow the singer (Shara Nelson) around the city. They used to >>>>>>>>>> play >>>>>>>>>> that and Safe From Harm on Zero Hour Zone on TV4 (who remembers >>>>>>>>>> that?). I >>>>>>>>>> thought you were talking about a movie called Massive Attack hehe. >>>>>>>>>> >>>>>>>>>> I liked Gravity. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> On Wed, Feb 11, 2015 at 11:34 AM, Donaldson, Alasdair < >>>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>>>>>>> >>>>>>>>>> I’ve got Enter the Void lying around, but haven’t got around to >>>>>>>>>> watching it. Same with Under the Skin. No idea who Tarkovksy is. Just >>>>>>>>>> checked IMDB. Nope. Are his films worth watching? I mean from a >>>>>>>>>> non-technical perspective. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> First time I saw the Massive Attack video, I didn’t realise that >>>>>>>>>> it was all one shot. I just assumed they’d cut it. I forget what the >>>>>>>>>> song >>>>>>>>>> was called, but it was more than 5min long. >>>>>>>>>> >>>>>>>>>> Snake Eyes was an okay film. It wasn’t bad or good… actually >>>>>>>>>> can’t remember much about the film. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> I don’t know if I can be arsed to watch Gravity. Maybe I’ll put >>>>>>>>>> it on sometime while I’m reading. The only thing that I’ve heard >>>>>>>>>> about >>>>>>>>>> Gravity is that it is a very pretty film. No one seems to care about >>>>>>>>>> the >>>>>>>>>> story or script. That seems like a bit of a fail to me. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>>>>>>> *Sent:* 11 February 2015 11:15 AM >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> *Subject:* Re: DRE: CTS community mail >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> I haven't seen either, but last year there was Gravity which had >>>>>>>>>> a 17 minute opening shot. Under the Skin had shots the seem to be >>>>>>>>>> influenced by filmmakers like Tarkovksy. The Protector has a 4 >>>>>>>>>> minute long >>>>>>>>>> shot (the stair case fight scene). Enter the Void is composed of >>>>>>>>>> long >>>>>>>>>> shots (about 1 to 2 minutes in length), joined together by >>>>>>>>>> psychedelic >>>>>>>>>> visuals. >>>>>>>>>> >>>>>>>>>> In The Sacrifice, Tarkovsky's crew built a special house meant to >>>>>>>>>> be burned down in a 6 minute long shot. Toward the end of the shot >>>>>>>>>> the >>>>>>>>>> camera jammed and the film was ruined. It took them two weeks to >>>>>>>>>> refilm it. >>>>>>>>>> >>>>>>>>>> https://www.youtube.com/watch?v=Mr5cYiRPf3E >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> On Wed, Feb 11, 2015 at 10:55 AM, Donaldson, Alasdair < >>>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote: >>>>>>>>>> >>>>>>>>>> It opened at Cinema Nouveau up here. >>>>>>>>>> >>>>>>>>>> Long scenes are cool. Barring Massive Attack, nothing comes to >>>>>>>>>> mind though. Oh, wasn’t the first 10min of Snake Eyes a single shot? >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama >>>>>>>>>> *Sent:* 11 February 2015 10:46 AM >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> *Subject:* Re: DRE: CTS community mail >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Low budget? Yes. And it only opened in 4 cinemas, raking in >>>>>>>>>> less than $500k. But it's probably best considered Arthouse, not B >>>>>>>>>> movie. >>>>>>>>>> >>>>>>>>>> You can't not notice the camera work in Birdman. The entire >>>>>>>>>> movie, barring 1 or 2 scenes in the beginning is shot in one long >>>>>>>>>> continuous sequence. It's obviously an illusion but it's still >>>>>>>>>> great to >>>>>>>>>> watch. There are scenes where they film in front of a mirror and >>>>>>>>>> you can't >>>>>>>>>> see the camera. There's a seen where the camera follows Michael >>>>>>>>>> Keaton >>>>>>>>>> through a busy square in NYC. And a great scene where the camera >>>>>>>>>> glides >>>>>>>>>> from the theatre rafters to the stage below. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> On Wed, Feb 11, 2015 at 7:32 AM, lindsey kiviets < >>>>>>>>>> lindseyak@xxxxxxxxxxx> wrote: >>>>>>>>>> >>>>>>>>>> for best gimmick in a film >>>>>>>>>> >>>>>>>>>> soim guessing if birdman was shot in 30 days , that would make it >>>>>>>>>> a low budget B movie? >>>>>>>>>> >>>>>>>>>> ------------------------------ >>>>>>>>>> >>>>>>>>>> From: alasdair.donaldson@xxxxxxxxxx >>>>>>>>>> To: cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> Subject: RE: DRE: CTS community mail >>>>>>>>>> Date: Wed, 11 Feb 2015 05:29:06 +0000 >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Then I suppose they’d be guaranteed the Oscar. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto: >>>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *lindsey kiviets >>>>>>>>>> *Sent:* 11 February 2015 7:24 AM >>>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> *Subject:* RE: DRE: CTS community mail >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> boyhood - what if the kid died during that 12 years? >>>>>>>>>> >>>>>>>>>> "rock is overpowered, paper is fine" - scissors >>>>>>>>>> >>>>>>>>>> ------------------------------ >>>>>>>>>> >>>>>>>>>> From: alasdair.donaldson@xxxxxxxxxx >>>>>>>>>> To: cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> Subject: RE: DRE: CTS community mail >>>>>>>>>> Date: Wed, 11 Feb 2015 05:09:25 +0000 >>>>>>>>>> >>>>>>>>>> I tend to figure that the camera work is only something you >>>>>>>>>> notice if it’s done badly. I can’t recall when last I noticed good >>>>>>>>>> camera >>>>>>>>>> work in a film. >>>>>>>>>> >>>>>>>>>> Same with most of the things, I guess. It’s only when the music >>>>>>>>>> is jarring and detracts from the scene that I actually notice it. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [ >>>>>>>>>> mailto:cpt-fgc-bounce@xxxxxxxxxxxxx >>>>>>>>>> <cpt-fgc-bounce@xxxxxxxxxxxxx>] *On Behalf Of *Ilitirit Sama >>>>>>>>>> *Sent:* 11 February 2015 12:50 AM >>>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx >>>>>>>>>> *Subject:* Re: DRE: CTS community mail >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> Sheesh... apparently the movie was shot in only 30 days. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> On Wed, Feb 11, 2015 at 12:48 AM, Ilitirit Sama < >>>>>>>>>> ilitirit@xxxxxxxxx> wrote: >>>>>>>>>> >>>>>>>>>> Birdman's camera work is amazing. I haven't been that >>>>>>>>>> technically impressed by a movie in a long itme. All the while I >>>>>>>>>> kept >>>>>>>>>> thinking "I can't imagine how hard it must have been to film this". >>>>>>>>>> Fantastic cinematography. >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> ------------------------------ >>>>>>>>>> >>>>>>>>>> The information in this e-mail is confidential and may be legally >>>>>>>>>> privileged. It is intended solely for the addressee. Access to this >>>>>>>>>> e-mail >>>>>>>>>> by anyone else is unauthorized. If you have received this >>>>>>>>>> communication in >>>>>>>>>> error, please address with the subject heading "Received in error," >>>>>>>>>> send to >>>>>>>>>> the original sender, then delete the e-mail and destroy any copies >>>>>>>>>> of it. >>>>>>>>>> If you are not the intended recipient, any disclosure, copying, >>>>>>>>>> distribution or any action taken or omitted to be taken in reliance >>>>>>>>>> on it, >>>>>>>>>> is prohibited and may be unlawful. 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