Re: DRE: CTS community mail

  • From: Ryan Williams <ryan820509@xxxxxxxxx>
  • To: cpt-fgc@xxxxxxxxxxxxx
  • Date: Wed, 11 Feb 2015 20:45:38 +0200

*lol*
On 11 Feb 2015 20:43, "euraima tobias" <euraima@xxxxxxxxx> wrote:

> Tsek, potemkin needs a Ramming
> On 11 Feb 2015 6:57 PM, "Nicholas Robertson-Muir" <nicmuir@xxxxxxxxx>
> wrote:
>
>> Odd, I was thinking something similar.
>> It also had something to do with Khan's performance, and "plugging in"
>> but it involved his GF.
>>
>> I think he's feeling something for sure, but "under the weather"?  Ya
>> right.
>> Potempkin's gittin your ass Saturday, right Khan?
>> On 11 Feb 2015 18:19, "Stephen Scheidel" <gieroadsteve@xxxxxxxxx> wrote:
>>
>>> The loadshedding is affecting Khans performance.
>>> He needs to be plugged in to recharge.
>>>
>>> On 11 February 2015 at 18:14, Ryan Williams <ryan820509@xxxxxxxxx>
>>> wrote:
>>>
>>>> No prob bro, hope you feel better :)
>>>> On 11 Feb 2015 17:25, "euraima tobias" <euraima@xxxxxxxxx> wrote:
>>>>
>>>>> Sorry guys, was a bit under the weather so I've been sleeping all day.
>>>>> Probably too late now, if guys are keen for tomorrow then we can else next
>>>>> week wed for sure.
>>>>> On 11 Feb 2015 2:54 PM, "Ryan Williams" <ryan820509@xxxxxxxxx> wrote:
>>>>>
>>>>>> @Khany, is there a sesh tonight?
>>>>>> On 11 Feb 2015 13:18, "Ilitirit Sama" <ilitirit@xxxxxxxxx> wrote:
>>>>>>
>>>>>>> I read the first episode of James Joyce's Ulysses before my own
>>>>>>> stream of consciousness took over and carried me off to a video game.
>>>>>>>
>>>>>>> On Wed, Feb 11, 2015 at 1:10 PM, Donaldson, Alasdair <
>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote:
>>>>>>>
>>>>>>>>  Hmmm. I tend to prefer stream of consciousness to be limited to
>>>>>>>> books.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:
>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama
>>>>>>>> *Sent:* 11 February 2015 12:47 PM
>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> *Subject:* Re: DRE: CTS community mail
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Well, it's more the surrealism combined with the themes.
>>>>>>>>
>>>>>>>> He is probably best known for "Zerkalo" AKA "The Mirror".  Here's a
>>>>>>>> description from Wikipedia:
>>>>>>>>
>>>>>>>> *Mirror* unfolds as an organic flow of memories recalled by a
>>>>>>>> dying poet (based on Tarkovsky's own father Arseny who in reality would
>>>>>>>> outlive his filmmaker son by three years) of key moments in his life 
>>>>>>>> both
>>>>>>>> with respect to his immediate family as well as that of the Russian 
>>>>>>>> people
>>>>>>>> as a whole during the tumultuous events of the twentieth century. The 
>>>>>>>> film
>>>>>>>> combines contemporary scenes with childhood memories, dreams, and 
>>>>>>>> newsreel
>>>>>>>> footage. The cinematography slips unpredictably from color to
>>>>>>>> black-and-white to Sepia <http://en.wikipedia.org/wiki/Sepia_tone>
>>>>>>>> then back again to color. The loose flow of visually oneiric images
>>>>>>>> <http://en.wikipedia.org/wiki/Oneiric_%28film_theory%29> has been
>>>>>>>> compared to stream of consciousness
>>>>>>>> <http://en.wikipedia.org/wiki/Stream_of_consciousness_writing>
>>>>>>>> technique in literature. The unconventional non-linear structure of the
>>>>>>>> film combined with its rich - often symbolic - imagery lends the film 
>>>>>>>> an
>>>>>>>> unusual power of expression that has found favour with Russians for 
>>>>>>>> whom it
>>>>>>>> remains their most beloved of Tarkovsky's films.[3]
>>>>>>>> <http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29#cite_note-3>
>>>>>>>>
>>>>>>>> http://en.wikipedia.org/wiki/The_Mirror_%281975_film%29
>>>>>>>>
>>>>>>>> He also did Solyaris (based on the same story as the George Clooney
>>>>>>>> movie), and Stalker (based on the story from the FPS game).
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Yep, that was TV4.
>>>>>>>>
>>>>>>>> [image: Image removed by sender.
>>>>>>>> http://www.vetseun.co.za/anarkans/logo/tv4.jpg]
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> On Wed, Feb 11, 2015 at 12:35 PM, Donaldson, Alasdair <
>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote:
>>>>>>>>
>>>>>>>>  Difficult themes? If it’s like the Russian novels, it’s a hit and
>>>>>>>> miss situation even with their good stuff. I might check out some of 
>>>>>>>> the
>>>>>>>> Tarkovski stuff once I have net access back.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Yeah, I remember TV4. Was that the one with the star in the 4? Then
>>>>>>>> TSS? CCV?
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:
>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama
>>>>>>>> *Sent:* 11 February 2015 11:47 AM
>>>>>>>>
>>>>>>>>
>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> *Subject:* Re: DRE: CTS community mail
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Enter the Void is meh...  Could have been a 100 times better if
>>>>>>>> they didn't spend ages trying to get the viewer to understand the 
>>>>>>>> themes.
>>>>>>>> Good if you're on LSD I guess.
>>>>>>>>
>>>>>>>> Tarkovksy's movies are challenging, mostly because they are in
>>>>>>>> Russian, are often very surreal, and deal with difficult themes.  Not 
>>>>>>>> easy
>>>>>>>> viewing.
>>>>>>>>
>>>>>>>> The Massive Attack video is Unfinished Sympathy.  The one where
>>>>>>>> they follow the singer (Shara Nelson) around the city.  They used to 
>>>>>>>> play
>>>>>>>> that and Safe From Harm on Zero Hour Zone on TV4 (who remembers 
>>>>>>>> that?).  I
>>>>>>>> thought you were talking about a movie called Massive Attack hehe.
>>>>>>>>
>>>>>>>> I liked Gravity.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> On Wed, Feb 11, 2015 at 11:34 AM, Donaldson, Alasdair <
>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote:
>>>>>>>>
>>>>>>>>  I’ve got Enter the Void lying around, but haven’t got around to
>>>>>>>> watching it. Same with Under the Skin. No idea who Tarkovksy is. Just
>>>>>>>> checked IMDB. Nope. Are his films worth watching? I mean from a
>>>>>>>> non-technical perspective.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> First time I saw the Massive Attack video, I didn’t realise that it
>>>>>>>> was all one shot. I just assumed they’d cut it. I forget what the song 
>>>>>>>> was
>>>>>>>> called, but it was more than 5min long.
>>>>>>>>
>>>>>>>> Snake Eyes was an okay film. It wasn’t bad or good… actually can’t
>>>>>>>> remember much about the film.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> I don’t know if I can be arsed to watch Gravity. Maybe I’ll put it
>>>>>>>> on sometime while I’m reading. The only thing that I’ve heard about 
>>>>>>>> Gravity
>>>>>>>> is that it is a very pretty film. No one seems to care about the story 
>>>>>>>> or
>>>>>>>> script. That seems like a bit of a fail to me.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:
>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama
>>>>>>>> *Sent:* 11 February 2015 11:15 AM
>>>>>>>>
>>>>>>>>
>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> *Subject:* Re: DRE: CTS community mail
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> I haven't seen either, but last year there was Gravity which had a
>>>>>>>> 17 minute opening shot.  Under the Skin had shots the seem to be 
>>>>>>>> influenced
>>>>>>>> by filmmakers like Tarkovksy.  The Protector has a 4 minute long shot 
>>>>>>>> (the
>>>>>>>> stair case fight scene).  Enter the Void is composed of long shots 
>>>>>>>> (about 1
>>>>>>>> to 2 minutes in length), joined together by psychedelic visuals.
>>>>>>>>
>>>>>>>> In The Sacrifice, Tarkovsky's crew built a special house meant to
>>>>>>>> be burned down in a 6 minute long shot.  Toward the end of the shot the
>>>>>>>> camera jammed and the film was ruined.  It took them two weeks to 
>>>>>>>> refilm it.
>>>>>>>>
>>>>>>>> https://www.youtube.com/watch?v=Mr5cYiRPf3E
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> On Wed, Feb 11, 2015 at 10:55 AM, Donaldson, Alasdair <
>>>>>>>> alasdair.donaldson@xxxxxxxxxx> wrote:
>>>>>>>>
>>>>>>>>  It opened at Cinema Nouveau up here.
>>>>>>>>
>>>>>>>> Long scenes are cool. Barring Massive Attack, nothing comes to mind
>>>>>>>> though. Oh, wasn’t the first 10min of Snake Eyes a single shot?
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:
>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *Ilitirit Sama
>>>>>>>> *Sent:* 11 February 2015 10:46 AM
>>>>>>>>
>>>>>>>>
>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> *Subject:* Re: DRE: CTS community mail
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Low budget?  Yes.  And it only opened in 4 cinemas, raking in less
>>>>>>>> than $500k.  But it's probably best considered Arthouse, not B movie.
>>>>>>>>
>>>>>>>> You can't not notice the camera work in Birdman.  The entire movie,
>>>>>>>> barring 1 or 2 scenes in the beginning is shot in one long continuous
>>>>>>>> sequence.  It's obviously an illusion but it's still great to watch.  
>>>>>>>> There
>>>>>>>> are scenes where they film in front of a mirror and you can't see the
>>>>>>>> camera.  There's a seen where the camera follows Michael Keaton 
>>>>>>>> through a
>>>>>>>> busy square in NYC.  And a great scene where the camera glides from the
>>>>>>>> theatre rafters to the stage below.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> On Wed, Feb 11, 2015 at 7:32 AM, lindsey kiviets <
>>>>>>>> lindseyak@xxxxxxxxxxx> wrote:
>>>>>>>>
>>>>>>>>  for best gimmick in a film
>>>>>>>>
>>>>>>>> soim guessing if birdman was shot in 30 days , that would make it a
>>>>>>>> low budget B movie?
>>>>>>>>
>>>>>>>>  ------------------------------
>>>>>>>>
>>>>>>>> From: alasdair.donaldson@xxxxxxxxxx
>>>>>>>> To: cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> Subject: RE: DRE: CTS community mail
>>>>>>>> Date: Wed, 11 Feb 2015 05:29:06 +0000
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Then I suppose they’d be guaranteed the Oscar.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [mailto:
>>>>>>>> cpt-fgc-bounce@xxxxxxxxxxxxx] *On Behalf Of *lindsey kiviets
>>>>>>>> *Sent:* 11 February 2015 7:24 AM
>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> *Subject:* RE: DRE: CTS community mail
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> boyhood - what if the kid died during that 12 years?
>>>>>>>>
>>>>>>>> "rock is overpowered, paper is fine" - scissors
>>>>>>>>
>>>>>>>>  ------------------------------
>>>>>>>>
>>>>>>>> From: alasdair.donaldson@xxxxxxxxxx
>>>>>>>> To: cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> Subject: RE: DRE: CTS community mail
>>>>>>>> Date: Wed, 11 Feb 2015 05:09:25 +0000
>>>>>>>>
>>>>>>>> I tend to figure that the camera work is only something you notice
>>>>>>>> if it’s done badly. I can’t recall when last I noticed good camera 
>>>>>>>> work in
>>>>>>>> a film.
>>>>>>>>
>>>>>>>> Same with most of the things, I guess. It’s only when the music is
>>>>>>>> jarring and detracts from the scene that I actually notice it.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> *From:* cpt-fgc-bounce@xxxxxxxxxxxxx [
>>>>>>>> mailto:cpt-fgc-bounce@xxxxxxxxxxxxx <cpt-fgc-bounce@xxxxxxxxxxxxx>]
>>>>>>>> *On Behalf Of *Ilitirit Sama
>>>>>>>> *Sent:* 11 February 2015 12:50 AM
>>>>>>>> *To:* cpt-fgc@xxxxxxxxxxxxx
>>>>>>>> *Subject:* Re: DRE: CTS community mail
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Sheesh... apparently the movie was shot in only 30 days.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> On Wed, Feb 11, 2015 at 12:48 AM, Ilitirit Sama <ilitirit@xxxxxxxxx>
>>>>>>>> wrote:
>>>>>>>>
>>>>>>>>  Birdman's camera work is amazing.  I haven't been that
>>>>>>>> technically impressed by a movie in a long itme.  All the while I kept
>>>>>>>> thinking "I can't imagine how hard it must have been to film this".
>>>>>>>> Fantastic cinematography.
>>>>>>>>
>>>>>>>>
>>>>>>>>   ------------------------------
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>>>>>>>> firm can be obtained from your KPMG representative.
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>>>>>>>> by anyone else is unauthorized. If you have received this 
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>>>>>>>> send to
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>>>>>>>> it.
>>>>>>>> If you are not the intended recipient, any disclosure, copying,
>>>>>>>> distribution or any action taken or omitted to be taken in reliance on 
>>>>>>>> it,
>>>>>>>> is prohibited and may be unlawful. Any opinions or advice contained in 
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>>>>>>>> business of the firm are neither given nor endorsed by it.
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>>>>>>>> KPMG cannot guarantee that e-mail communications are secure or
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>>>>>>>> ("KPMG International") on behalf of the local KPMG member firm 
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>>>>>>>> services to you. KPMG International Cooperative ("KPMG International") 
>>>>>>>> is a
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>>>>>>>> independent firms operating under the KPMG name. KPMG International
>>>>>>>> provides no services to clients. Each member firm of KPMG 
>>>>>>>> International is
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>>>>>>>> firm can be obtained from your KPMG representative.
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>>>>>>>>
>>>>>>>>
>>>>>>>>  ------------------------------
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>>>>>>>> by anyone else is unauthorized. If you have received this 
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>>>>>>>> send to
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>>>>>>>> distribution or any action taken or omitted to be taken in reliance on 
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>>>>>>>> This email is being sent out by KPMG International Cooperative
>>>>>>>> ("KPMG International") on behalf of the local KPMG member firm 
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>>>>>>>> independent firms operating under the KPMG name. KPMG International
>>>>>>>> provides no services to clients. Each member firm of KPMG 
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>>>>>>>> firm can be obtained from your KPMG representative.
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>>>>>>>>
>>>>>>>
>>>>>>>
>>>

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