[authorme] PUBLISHING EMERGING WRITERS, SEPTEMBER 2015

  • From: Bruce Cook <cookcomm@xxxxxxxxx>
  • To: Newsletter <authorme@xxxxxxxxxxxxx>
  • Date: Tue, 1 Sep 2015 11:03:17 -0500

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*In this issue... Storymoja Festival, Sept 16-20, 2015*


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*In this issue... Emerging/Aspiring Writers - Success or Love of Writing?*


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*Emerging/Aspiring Writers
Success or Love of Writing?*

*by A P von K'Ory*







I often get asked by other emerging writers to reveal to them the source of
my achievements, yes, even my “success”. This is of course very flattering and
good for my scribe’s ego. But I’m just as unsure of where I am or going to,
same as the next writer. I don’t really see myself as such a success, but I’ve
succeeded in improving my writing and finding my “Voice”. I believe we writers
always need to have some reassurance or at least another person we can turn to
as a sounding board to either confirm or dispel our insecurities about
ourselves and our work. My best man here in the last five or so years has been
an Australian writer and Artist-of-Many-Talents, Kenneth Mulholland. He’s
become perhaps my best friend ever, although we’ve never met in person. He picks
me up or knocks me down off my high white charger in terms of my writing. I
love and appreciate him for his intellectual honesty and human kindness and
devotion to the arts.


But to get back to those who in their turn look up to me in all my
humble achievements.
Perhaps the most difficult thing for aspiring writers, said writer Robert
Wilson, is to know what to write. Or more precisely, what to write*
about*. I had this problem. I happen to
be a person who grew up with both African and Western cultural influences. I’m
neither pink nor brown. I’m at home in a Luoland *Pakruok *Feast as
I am in the Bavarian *Oktoberfest*. I pour over a good Camara Laye
and Mariama Bâ books as I do over a good Le Carré and Frederick Forsyth. My
only "weakness" is my preference for British English, my mother
tongue, in my own writing. But that does not say I wouldn't put my Laye or le
Carré aside when I grab a good Grisham or Dan Brown. Yes, thrillers fascinate
me, followed by the romance genre. And, to quote a Jeffrey Archer title,
thereby hangs a tale.


My own romance books, all of them without fail so far, involve interracial
love relationships. The Bound to Tradition trilogy, which won me the African
Writer of the Year Achiever Award 2013 in the Netherlands, and first published
by Bruce Cook, is one good such an example. This is an aspect of writing that
often plagues me – I prefer to write about what I know even if I do bring the
famous “What if…” into play. My novels tend to be opulent since I’m acquainted
with that world and can move around it with ease. But I can also put the
millionaire right in the middle of a poor hut in the African jungle and do a
mix of dialogue because I love the mind games of cultural differences. We all
have cultural spectacles and earphones so that one and the same words are
interpreted differently using these cultural spectacles and earphones.


Let me give an example of what I mean by this in a scene from Bound to
Tradition Book 1: The Dream:



*[Erik, a Swedish industrialist, has come to the Luoland village to ask
Grandfather Solomon for the hand of Khira, Solomon’s granddaughter. But Erik is
also time-conscious as a businessman and Westerner, while Solomon is
the laidback
African granddad and wants to figuratively converse about the entire human
history and the animal kingdom if need be, before coming to the point – because
in his culture that is the polite etiquette. In Erik’s culture, however, time
is money, so he has no time for shillyshallying and wants to come straight to
the point. Having done his cultural homework on Solomon’s mindset, Erik knows
that the only way to move things quickly forward is to provoke Solomon’s anger
and make the old man want to be rid of him soonest.]*

<<Presently Doreena, the latest of Solomon’s young brides, brought in
spiced tea made from half goat milk half water with freshly pounded ginger. A
special treat in Luoland. She demurely served the guests after a general verbal
greeting. When Erik sipped his tea, it was so sweet he could hardly drink it.
And here was Dory, the family’s number one beauty. He snatched the golden
opportunity. Disregarding his host, he addressed the man’s wife directly and in
front of Solomon, in Kiswahili - and thus eliminating Samuel's interpreter role
as well.

“The tea is too sweet, too sugary for me. Make me some
fresh one and without any
sugar.”


This one was straight out of Freud’s centrefold. Doreena
sweetly smiled and apologised
to her husband, not to Erik, and hurried off to make the tea.


“You have a very pretty wife. I almost envy you,” Erik
twisted the knife in the wound,
grinning.


It was enough for Solomon. Who did this *jamwa *think he
was, arriving
unannounced like the uncultured creature he was and now being liberal with his
barbarism even to his own wife, ordering her in his own house right under his
tongue? Did he feed, house and sleep with her for him? Well and they were
indeed half-humans, and this one was of the half-plant variety, judging by the
colour of his hair and eyes. They have ears but they never hear correctly. And
with these strange-coloured animal eyes that kept shifting hues like the
composure of a greedy courtesan or a faithless wife, stories from the Old Wise
Ones say they never see anything like human beings should. They say one thing
and do another, or do one thing and say another.


Solomon now did exactly what Erik had angled for: he came
to the point. Erik had no
time for niceties, The Lindqvist Group was waiting. Vexed, Solomon turned to
his son and said, “Ask these *mwache* whether they only came here for a
visit or whether they came with another word in their chests. Their course is
turning more barbaric and the sooner I get rid of them the better.”


Samuel interpreted, editing out the last sentence.>>

I love writing and I can’t imagine existing without doing it. But of course
deep down I also want to share what I write with the rest of the world, however
great or small. And what I want to share becomes my message in the novel (here
above, the cultural differences and nuances). It therefore follows that I’d not
just like to write for myself and store the MS in a drawer, then begin the
next. I want others to see my work and I want their opinion on it, hoping
they’ll all see how beautiful my baby is.


Writers might have a facility for writing, or telling stories, or coming up
with brilliant characters, or dialogue, as Wilson puts it, but what should a
writer write about? As a writer you need to have at least one of these in place
to even start thinking of a writing career. If you are just in love with the
idea of writing you’ll find it’s the hardest work you’ll ever do and probably
the least remunerative of any profession. Especially in today’s commercial
writing world where art has been abandoned and ugly babies are *en vogue*
– not your perfect baby.


What, therefore, should you write? You could try poetry, travel
writing, plays, screenplays, literary fiction or the touted commercial genre,
biography, memoirs – the lot. Wilson suggests you work out why you think your
favourite writer is brilliant. You can’t imitate other writers’ works straight
or you’ll end up with a lawsuit, especially if you’re drawn to writers with
very particular voices. I have found my particular voice (above sample) and
subject matter plus medium.


Find yours. You’ll know in your belly that you’ve found it when passages
flow and you write easily with a smile twitching at the corner of your mouth.
You’ll just know.




And yes, do find a writer you admire and analyse why you admire her or him,
what draws you to their writing or their Message or their Voice.




========================================

Publishing Emerging Writers

August 2015 (No. 1608)

Publisher: Cookcomm
Bruce L. Cook, 1407 Getzelman Dr..
Elgin, IL 60123 USA

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Publishing Emerging Writers

September 2015 (No. 1609)

Publisher: Cookcomm
Bruce L. Cook, 1407 Getzelman Dr..
Elgin, IL 60123 USA

Submissions and comments to cookcomm@xxxxxxxxx. Links are welcome. To
receive monthly e-mail copies of this periodical, go to:
https://www.elbowspace.com/servlets/cfdC?xr4=&formts=2008-02-02 16:34:51
.129073
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Innisfree Journal - Greg McBride, Editor - www.innisfreepoetry.org
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For the new Sudan - www.SudanLit.com
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For India - www.authorindia.com
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Reserve Books - www.reservebooks.com
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Our Booklist - www.reservebook.com

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