I meant to refer to a camera icc profile and not a display when I mentioned assigning a profile and converting it back to your working profile, your screen profile is only used for display purposes as managed by the computer's CMM. It is very likely that your printer assumes srgb and on top, boosts contrast/saturation instead of a linear output for "better" looking prints, I have never seen a printer that assumes Adobe RGB files. If your unprofiled(do you strip the icc profiles, what do you mean non profiled? the computer would have to assume a profile unless you are printing without color management, it might just be that the CMM assumes srgb before printing) prints resemble your srgb prints, then your printer most definitely assumes srgb and that is the 'correct color' if we are to stick to the printer settings/parameters. Workflow Clarification: Output as Working Space (adobe/prophoto) Assign Camera Calibration Profile (that you made from a file output to your specific working space) Convert to Working Space Profile (using relative/perceptual depending on content, relative might be a better match as device profiles can be goofy in defining gamut) Manipulate Save Master File Convert to sRGB when exporting a print file to third party printers / Convert to your printer profile in print window and disable printer driver color management / Convert to sRGB and choose color management in printer driver settings Best, -derin