Hello, Using the calibration approach compensates for linearity and density changes only, say printhead irregularities, etc. But when a paper white or ink lot changes, then the per-channel calibration won't help a lot. I've seen and tried some solutions in the market (for money) that can do re-profiling on ICC basis to compensate for slight color changes in the complete printing process. I tested argyll's "refine" but that seems to apply to specific colors in a profile only, not to a global compensation process. @Dimitrije: Probably the best and easiest to compensate for your color shifts would simply to profile the printer again. Regards, Joe Am 03.03.2013 um 10:08 schrieb Dimitrije Zivkovic <migraf.keramika@xxxxxxxxx>: > Printer doesn't have stably density in 100%, so recalibration does not give > the same results, which should be for valid profile. > > For example, colored pictures looks good in 90% but gray pictures are not, > because I have to print in color mode and after recalibration gray tones are > shifted to some color (most of the time to yellow or blue) > > Profile is made with command: > > colprof -v -qh -bh -kp 0 0.3 .95 .8 .8 -Zp -Tp -tp -SAdobeRGB1998.icc -l260 > > and later applycal. > > Maybe I go wrong somewhere. > > > Dimitrije > > On Mar 3, 2013, at 2:18 AM, Graeme Gill <graeme@xxxxxxxxxxxxx> wrote: > >> Dimitrije Zivkovic wrote: >>> Thanks for advice, but I already tried workflow with calibration. >>> But problem is density, what is probably not possible to solve with profile. >> >> I'm not sure what you mean. >> >> Typically if calibration is being used to avoid frequent re-profiling, >> the maximum density for each channel will be chosen to be slightly less >> than 100%, allowing room for calibration to compensate for a drop in density. >> >> Graeme Gill. >