Rishi Sanyal wrote:
Thanks Iliah. Admittedly I know nothing about film recorders, so my concept of what you did 'outputting 5000 patches onto film directly' is very limited!
I've certainly heard this done in the movie business, although it consisted of rather a lot more frames (33^3 I think), and a custom reader that used an Eye-One pro to read transparency using rather high intensity back lights to be able to get useful readings from very dense film. Graeme Gill.
