On Jul 4, 2013, at 8:46 AM, Iliah Borg <iliah.i.borg@xxxxxxxxx> wrote: > On Jul 4, 2013, at 11:38 AM, Ben Goren wrote: > >> On Jul 4, 2013, at 8:31 AM, Iliah Borg <iliah.i.borg@xxxxxxxxx> wrote: >> >>> Imagine blue filter in CFA allows red. Now if we have a lot of red in the >>> light, the blue response is different, and blue chromaticity is determined >>> as different. >>> We are down to filter selectivity issue. >> >> As Dr. Berns has demonstrated, this can be exploited if you can make >> multiple exposures -- some with filters and some without. > > It was in use well before his demo, and well before digital too; and of > course I know a lot of folks who do it routinely, and use it myself a lot. > But it is a different approach to the whole workflow, and it works best with > monochrome sensors. Right, but the advantage to putting filters in front of the lens of a modern DSLR is that you can get three times as many filter readings from each shot. If you want nine different channels, that's eight or nine different filters with a monochrome sensor and nine different exposures...but it's only two filters and three exposures with a DSLR. > When multispectral CFA will be available on commercial basis we will enjoy a > lot of frustration, starting right with demosaicking. That would be a very welcome frustration to have to deal with, I should think! ...but, if my idea pans out, demosaicing will be of no more concern for me with the multi-filter workflow than in an unfiltered workflow. b&