I use UFraw for this (a DCRAW based GIMP addon). I set both the camera input profile and the embeddable output profile to be the same matrix profile (which I created earlier using UFraw with no profile and R=G=B=1.0 gain settings + the ArgyllCMS tools and a spectro to read the chart under the actual light). I save it as a PNG file and I open it in PhotoShop. 2013/3/14 Hening Bettermann <hein@xxxxxxxxxxxxx> > > Hi > > I have hitherto used the same camera profile both as an input and output > profile. Brian Griffith (author of Iridient Developer, formerly Raw > Developer) showed me the trick that does it: In the .ti3 file to change the > tag 'scnr' to 'mntr' (scanner to monitor). > > Now, when I tried the trick again with version 1.5.0 of Argyll, I see that > this tag is gone. So I tried to set Device_Class to Output, but got the > error "Output profile can only be a cLUT algorithm" (mine is a gamma-matrix > profile). > > So I tried "DISPLAY" and got error "Input auto WP scale mode isn't > applicable to an output device". > > I think this refers to the -u flag in colprof and replaced that by a new > line in the .ti3 file 'wht 100.0...', raising the number of sets > accordingly. This worked for the input profile (however, the peak error > went up from ~6 to ~13) As output with label DISPLAY it threw the error > 'Output device input file has unhandled color representation 'XYZ_RGB'. > > All the above refers to the ColorChecker24. > > Is there a way to use the same camera profile as both input and output? > > Why would I want that? Guillermo Luijk recommends it as the best (most > lossless) way of getting an image into Photoshop (or PhotoLine in my case). > http://www.guillermoluijk.com/tutorial/dcraw/index_en.htm > chapter 'Photoshop Adjustments of the developed image': > "Once here we should already have our RAW file developed and in 16-bit > TIFF format, so it is time to get into Photoshop. When doing this PS will > ask in which colour space the document must be open. If we told DCRAW to > convert the data into some colour space PS will detect it and we just need > to tell PS to assign that colour space. If we did not, and the TIFF file > has not colour managed (option -o 0), we should tell PS to perform no > colour management at all. > > The ideal situation however is none of these options but to have the > profile of our camera, i.e. a profile generated after calibrating our own > camera. In that case we would develop the RAW file withour any colour > management (option -o 0), and in the file open operation we would assign > our camera's own profile to it." > --- > > Why does the peak error go up that way because I enter 100% white as the > max value? > > Kind regards - Hening Bettermann. > > >