Приветствую всех! Начиная со следующего релиза в комплекте будет присутствовать документация :) А пока могу предложить её тут: До встречи!
dcraw(1) dcraw(1) NAME dcraw - command-line decoder for raw digital photos SYNOPSIS dcraw [OPTION]... [FILE]... DESCRIPTION dcraw decodes raw photos, displays metadata, and extracts thumbnails. OPTIONS -v Print verbose messages, not just warnings and errors. -c Write decoded images or thumbnails to standard out- put. -e Extract the camera-generated thumbnail, not the raw image. You'll get either a JPEG or a PPM file, depending on the camera. -z Change the access and modification times of an AVI, JPEG or raw file to when the photo was taken, assuming that the camera clock was set to Universal Time. -i Identify files but don't decode them. Exit status is 0 if dcraw can decode the last file, 1 if it can't. -i -v shows metadata. dcraw cannot decode JPEG files!! -d Show the raw data as a grayscale image with no interpolation. Good for photographing black-and- white documents. -D Same as -d, but totally raw (no color scaling). -h Output a half-size color image. Twice as fast as -q 0. -q 0 Use high-speed, low-quality bilinear interpolation. -q 2 Use Variable Number of Gradients (VNG) interpola- tion. -q 3 Use Adaptive Homogeneity-Directed (AHD) interpola- tion. -f Interpolate RGB as four colors. Use this if the output shows false 2x2 meshes with VNG or mazes with AHD. July 18, 2006 1 dcraw(1) dcraw(1) -B sigma_domain sigma_range Use a bilateral filter to smooth noise while pre- serving edges. sigma_domain is in units of pixels, while sigma_range is in units of CIELab colorspace. Try -B 2 4 to start. -b brightness By default, dcraw writes 8-bit PGM/PPM/PAM with a BT.709 gamma curve and a 99th-percentile white point. If the result is too light or too dark, -b lets you adjust it. Default is 1.0. -4 Write 16-bit linear pseudo-PGM/PPM/PAM with no gamma curve, no white point, and no -b option. -T Write TIFF output (with metadata) instead of PGM/PPM/PAM. -k black Set the black point. Default depends on the cam- era. -a Automatic color balance. The default is to use a fixed color balance based on a white card pho- tographed in sunlight. -w Use the color balance specified by the camera. If this can't be found, print a warning and revert to the default. -r mul0 mul1 mul2 mul3 Specify your own raw color balance. These multi- pliers can be cut and pasted from the output of dcraw -v. -H 0 Clip all highlights to solid white (default). -H 1 Leave highlights unclipped in various shades of pink. -H 2-9 Reconstruct highlights. Low numbers favor whites; high numbers favor colors. Try -H 5 as a compro- mise. If that's not good enough, do -H 9, cut out the non-white highlights, and paste them into an image generated with -H 3. -m Same as -o 0. -o [0-5] Select the output colorspace when the -p option is not used: 0 Raw color (unique to each camera) 1 sRGB D65 (default) July 18, 2006 2 dcraw(1) dcraw(1) 2 Adobe RGB (1998) D65 3 Wide Gamut RGB D65 4 Kodak ProPhoto RGB D65 5 XYZ -p camera.icm [ -o output.icm ] Use ICC profiles to define the camera's raw col- orspace and the desired output colorspace (sRGB by default). -p embed Use the ICC profile embedded in the raw photo. -t [0-7,90,180,270] Flip the output image. By default, dcraw applies the flip specified by the camera. -t 0 disables all flipping. -j For Fuji Super CCD cameras, show the image tilted 45 degrees, so that each output pixel corresponds to one raw pixel. -s For Fuji Super CCD SR cameras, use the secondary sensors, in effect underexposing the image by four stops to reveal detail in the highlights. For all other cameras, -j and -s are silently ignored. SEE ALSO pgm(5), ppm(5), pam(5), pnmgamma(1), pnmtotiff(1), pnm- topng(1), gphoto2(1), cjpeg(1), djpeg(1) AUTHOR Written by David Coffin, dcoffin a cybercom o net July 18, 2006 3