In part I'm inspired by Logicomix, an interesting
collaboration, with the team including a computer
scientist and an artist who illustrated Tintin cartoons,
if I'm recalling correctly.[0]

Tintin was an important strip in my youth (although
I don't think I saw myself as Tintin per se -- I have
since met someone who reminds me a lot of
Captain Haddock (not sure of the captain's name
in the original French)).[1]

In Logicomix Wittgenstein is cast as at first a
darling of the Vienna Circle, frequented by logical
positivists, but only because misunderstood.

We're given to understand from Logicomix that the
LP camp got it wrong: LW wasn't saying ethics
and aesthetics are nonsense, if that means something
without value. It's what's in the world that's value
neutral (per Tractatus) and is also what philosophy
helps us get free from by reconnecting us to our
deeper selves (i.e. logic does not "stop" and/or "win"
over ethics).

The temptation to dispense with ethics is always
high in some branches of philosophy. If only one
could have the title of philosopher (like a doctor)
and not have to take ethical stands, what a relief
that would be. Ergo: "that stuff is all nonsense"
seems like a perfect out. But do philosophies that
dismiss ethics have much of a half-life?

In any case, Wittgenstein's philo is not about
dismissing huge areas of ordinary language as
irrelevant. On the contrary, the esoteric private
languages are more likely to shake loose.

Computer languages come and go, for example.

A logic may be "brittle" (and so not long for this
world). LW is a kind of polemicist in some ways,
broadcasting about his differences with some
"influenza zone" (infected, rather than improved,
by its philosophy). And yet he's no stranger to
the world he decries, has many friends therein.

As to exactly who goes by "logical positivist" today,
I'm not quite sure. The machine intelligence vista
is mostly taken up with computer science, with
some fringe AI around the edges.

The artistry and aesthetics in computer work is
hardly a 2nd tier topic. It's *The Art* of Computer
Programming (Knuth) after all.[2] From my angle,
WIttgenstein's philosophy, especially the later one,
seems as relevant as ever. "Meaning as use" is
a very rich concept in GUI and control panel
design. How does one monitor one's own energy
consumption? These are engineering questions,
but also involve grammar, language games, rules
of best fit. An aesthetic sense goes with the
territory in other words. Philosophy and art
conjoin through many interfaces.

Kirby

[0] re Logicomix:
http://coffeeshopsnet.blogspot.com/2010/05/buzz-about-shops.html
http://www.logicomix.com/en/index.php?option=com_content&view=article&id=76&Itemid=59

*Annie Di Donna *studied graphic arts and painting in France and has worked
as animator on
many productions, among them *Babar* and *Tintin*
*
*
[1]
Tintin
http://www.flickr.com/photos/17157315@N00/3696376738/

[2] HTML5 is just getting more swoopy by the day:
http://www.thewildernessdowntown.com/
http://controlroom.blogspot.com/search?q=HTML5