[TN-Bird] Re: Singing in female passerines
- From: Benjamin Thatcher <thatcher@xxxxxxx>
- To: dfv@xxxxxxxxxx, tn-bird <tn-bird@xxxxxxxxxxxxx>
- Date: Tue, 22 Mar 2005 11:00:07 -0500
Female Scarlet Tanagers also sing, though their song is softer than the male's
(see Sibley's Guide to Bird Life and Behavior, p 514).
Below I have pasted a link to a short article about singing female Northern
Cardinals, and some information regarding bird song from the Birder's
Handbook.
Benny Thatcher
Knoxville, TN
http://www.sciencenews.org/pages/sn_arc98/8_29_98/fob6.htm
Ornithologists differentiate, somewhat arbitrarily, between a call and a song
by the length and complexity of the vocalization. Calls tend to serve
specific functions and are generally innate rather than learned. For example,
alarm calls serve to alert all within earshot that danger is present; they
tend to be rather similar among groups of birds and often communicate their
message across species. Contact calls are used among members of a flock or
between mates to indicate the location of the caller. Many species in groups
that lack song (such as gulls and parrots) have complex repertoires of calls
that serve varied functions.
Song is a well-developed feature primarily of oscine passerines (hence, they
are referred to as "songbirds"), and generally must be partly or entirely
learned. Songs identify the species of the singer. In addition, the
territorial or advertising song of males serves the dual function of
territorial proclamation directed at other males and of mate attraction
directed toward females. Thus the song warns the former to keep out of the
defended territory and invites the latter to join the singer. There are
other, more subtle functions and messages, as well. The motivation of the
singer can be conveyed by the amount that he sings; in order to attract a
mate, unpaired males devote more time to singing than do paired males. When
excited, such as during and immediately following a territorial encounter with
a rival male, the rapidity of singing often increases. Song length also may
increase or decrease when the bird is agitated.
Males of approximately three-quarters of all songbirds sing two or more
different songs and are said to possess "song repertoires." Each song having a
particular configuration of syllables and phrases repeated in a stereotyped
fashion is referred to as a "song-type." At the extreme end of the range in
repertoire size is the male Brown Thrasher, estimated to sing in excess of
3,000 song-types. The evolution of elaborate song repertoires is presumed to
be the result of sexual selection arising from competition between males for
females. In selecting a male with which to pair, females may use size and
complexity of the song repertoire to assess a male's overall potential
"fitness" as a partner. In some species, these characteristics are known to
increase with age, and may serve as an indirect gauge of breeding experience
and health. Increased complexity and size of repertoire also have been shown
to correlate with measures of territory quality in some species, thus
providing further information to a female about to invest her immediate
reproductive future on the basis of what she hears.
There is some experimental evidence that song is important in coordinating the
reproductive cycle between mates in addition to its presumed role in
maintaining the pair bond. Male song is known to stimulate ovarian
development and egg laying in Budgerigars and to accelerate nest-building
activity in female Canaries. In fact, ornithologist Don Kroodsma has shown
that female Canaries exposed to large repertoires are more stimulated to build
nests than are females exposed to impoverished repertoires. Laboratory
experiments with female Song Sparrows demonstrate that larger song repertoires
elicit more copulation-soliciting displays; females prefer repertoires of 4
song-types compared to 1, 8 compared to 4, and 16 compared to 8. Observations
of pairing in the field, however, revealed no relationship between repertoire
size and either date of initial pair formation or the speed with which a
second mate was acquired following removal of the first female. Thus,
although larger song repertoires appear to serve as stronger stimuli in sexual
and nesting behavior, there is little field evidence that they influence
female choice of mates in species where song repertoire size is not correlated
with male age (as in the Song Sparrow).
Individual males often can be identified by characteristic features of their
songs, and birds of many species have been tested in the field for their
ability to discriminate between the songs of neighbors (males that are already
established on territories and pose no real threat) and strangers (males that
are searching for a territory on which to establish themselves). The ability
to distinguish between neighbors and strangers without being able to see them
should afford considerable energy savings to a territory holder. The song of
an established neighbor can be answered with a song or can be ignored; the
song of a stranger, however, necessitates a vigorous physical as well as vocal
rebuff. Territorial males identify each other using both song features and
location from which the song originates. Interestingly, species with large
repertoires show a somewhat reduced ability to discriminate between neighbors
and strangers than do species with limited repertoires. For example, Song
Sparrows, with repertoires of 8 to 10 songs, show weaker discrimination than
closely related Swamp Sparrows, with repertoires of 4 to 5 songs.
The ability to recognize neighbors by vocalizations alone has not been found
in species that nest in dense colonies. This is true even for species (such
as the Northern Gannet, Laughing Gull, and Black-legged Kittiwake) that can
recognize their young or their mates by vocalizations. Presumably under
conditions of unobstructed visual contact, natural selection has not favored
vocal recognition of neighbors.
© 2001 Thayer Birding Software LLC. All rights reserved.
>===== Original Message From dfv@xxxxxxxxxx =====
>I have the impression that singing in passerines generally indicates males.
>However, I know that female Northern Cardinals do sing as well. Is anyone
>out there aware of any literature that includes information about which
>species exhibit female singing and which do not?
>
>Thanks,
>Dave Vogt
>Chattanooga, TN
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
TN-Bird Net is owned by the Tennessee Ornithological Society
Neither the society(TOS) nor its moderator(s)
endorse the views or opinions expressed
by the members of this discussion group.
Moderator: Wallace Coffey, Bristol, TN
wallace@xxxxxxxxxxxxxxxxxxx
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Visit the Tennessee Ornithological Society
web site at http://www.tnbirds.org
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Topographical Maps located at http://topozone.com/find.asp
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