[sib-access] Re: Fw: Sibelius Blog
- From: Kevin Gibbs <kevjazz@xxxxxxxxx>
- To: "sib-access@xxxxxxxxxxxxx" <sib-access@xxxxxxxxxxxxx>
- Date: Fri, 4 Mar 2011 08:12:19 -0600
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On Mar 4, 2011, at 5:23 AM, "Ramy Moustafa" <moshtaqlealganna@xxxxxxxxx> wrote:
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> -----Original Message-----
> From: sib-access-bounce@xxxxxxxxxxxxx
> [mailto:sib-access-bounce@xxxxxxxxxxxxx] On Behalf Of Kevin Gibbs
> Sent: Friday, March 04, 2011 5:13 AM
> To: sib-access@xxxxxxxxxxxxx
> Subject: [sib-access] Re: Fw: Sibelius Blog
>
> Rather than copy these postings to the list, let's encourage everyone to
> subscribe to this blog.
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> Sent from my iPhone
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> On Mar 3, 2011, at 8:13 PM, "Farfar Carlson" <dgcarlson@xxxxxxxxxxxxx>
> wrote:
>
>> Sibelius BlogAnother useful posting.
>> Dave
>> Composed on a Dell Latitude 630 in the general vicinity of my Audio
> Recording and Mixing Studios, San Francisco Bay Area.
>> ----- Original Message -----
>> From: Sibelius Blog
>> To: dgcarlson@xxxxxxxxxxxxx
>> Sent: Thursday, March 03, 2011 15:12
>> Subject: Sibelius Blog
>>
>>
>> Sibelius Blog
>>
>>
>>
> ----------------------------------------------------------------------------
> ----
>> Four types of selection in Sibelius
>>
>> Posted: 03 Mar 2011 04:14 AM PST
>>
>>
>>
>> Three of the four types of selection: multiple, passage, and system
> passage
>>
>> A couple of days ago, I wrote that one of the axioms of efficient use
> of Sibelius is: "Copy, don't reinput." With that in mind, I thought it was
> worth reinforcing one of the corollaries of that axiom, concerning the four
> types of selection in Sibelius.
>>
>> Those four types are as follows: single selection, where only one
> object (e.g. a note, or a bit of text) is selected; multiple selection,
> where more than one object is selected, and they appear highlighted in the
> score in their voice or selection colour; passage selection, where a
> continuous range of music and other objects attached to one or more staves
> is selected, and surrounded by a light blue box; and system passage
> selection, where a continuous range of music and other objects across all
> staves in the system is selected, and surrounded by a double purple box.
>>
>> To make the best use of the different types of selection, remember
> the following simple rule:
>>
>> Multiple selections merge, passage selections overwrite, and system
> passage selections insert.
>>
>> Expanding on this a little:
>>
>> a.. When you paste a multiple selection, it will be merged with
> whatever is already there, overwriting notes in the same voice but otherwise
> doing its best to fit in to the existing material at its destination. This
> means multiple selections are very good, for example, for pasting objects
> like dynamics onto existing music, or to paste music in one voice into an
> existing passage using another.
>> b.. When you paste a passage selection, the destination music is
> completely overwritten. This is the normal kind of copy and paste operation
> you will do. Just remember that a regular passage selection, even one that
> spans all staves, won't include system-attached objects like time
> signatures, key signatures, rehearsal marks, Tempo text, and the like.
>> c.. When you paste a system passage selection, new bars are
> inserted at the point you pasted. This kind of copy and paste operation is
> most useful for inserting whole chunks of music, and naturally a system
> passage selection will include system objects like time signatures, key
> signatures and so on that are not included when copying a regular passage
> selection.
>> If you remember this simple rule and apply it well, you will cut
> hours off your score preparation time, by making efficient use of the copy
> and paste methods that Sibelius provides.
>>
>> Related posts:
>> a.. Getting selective with filters
>> b.. Multicopy, multicopy, multicopy.
>> c.. Creating composite symbols in Sibelius
>> d.. How to enlarge symbols in Sibelius
>> e.. Flow lyrics into Sibelius in a single step
>> f.. Composer Lev Zhurbin shares his laptop tips for Sibelius
>> g.. Working with lyric hyphens
>> h.. Traditional lyrics beaming and slurs on melismas
>> i.. Adding extra lines of lyrics
>> j.. Making lyrics something to sing about
>>
>>
>>
>>
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