Gram et al., I have wondered the same for color print from 120 rolls from my Rollei. I have never gotten satisfactory B&W pictures back from a lab so have always done my own developing, printing & scanning for B&W. The 5x5 120 color negative proof prints I get back from the labs nowadays are definitely inferior to the ones I used to get back from labs prior to the digital age. I do believe the quick scans they do at least for proofs are not as good as the traditional enlarger ("optical & wet" machine) prints of days gone by. I have even toyed with the idea of trying to find a used specimen of the smallest traditional C41 color processing machine that can also handle 120 and than offering the printing service to other "luddites" online. But I was told I might run into al kinds of new environmental regulations... I agree with Marc that it's nice to see some activity on this list. As for Xenotars and Planars I love my 3.5 E Xenotar but must admit that I have tried to find an affordable 2.8 Planar F (or GX) for years with no luck. It seems it's much easier to find a decent Xenar or Xenotar RF in the US than a Tessar or Planar. Almost all the Planars I see are pretty beaten up late 50s E's Jan On Oct 17, 2011, at 1:07 AM, FreeLists Mailing List Manager wrote: > From: gramario <gramario@xxxxxx> > Date: Sun, 16 Oct 2011 15:01:34 +0200 > Hi everyone, > I recently got some prints back from B&W negatives (120), done by an external > studio. While talking to my local dealer (who sends them on to this big > studio), he mentioned that nowadays all negatives are scanned (obviously due > to mass production, they no longer use enlargers, etc.). I wondered what > kind of quality is lost int his scanning process? After all, one reason I use > film (albeit not the only one) is to creatively use grain, rather than be > nauseated by digital noise. Has anyone with more knowledge than I any > suggestions, apart from home printing, to ensure that I can maintain the > quality I try to achieve in my camera? > Many thanks, > gram.